Something between a documentary and a reality TV show turns out to be an fascinating account into a week-long annual program in which a thousand Texas high school boys seniors gather for an elaborate mock exercise: building their own state government.
What comes out is an astonishing portrait of American today: this is a microcosm of political division, masculinity, racism. It’s terrifying, infuriating, gobsmacking, exciting and even moving at times..
What this amazing documentary does (and I call it documentary because to call it “reality TV would diminish it, and this piece of work should really never be undermined!) is actually appealing to both the believer and the cynical in equal measure. I started watching this almost with two fingers in my month ready to vomit and shaking my head in disbelief more often that I thought it would be possible, and yet, by the end I somehow managed to come out of depression and I was actually left with a glimmer of hope for the future.I hope you’ll give this a go: it is an exciting, enlightening, revealing and moving piece of work. It might not be the best documentary of the year, but it’ll certainly be one of those who’ll stay with me for longer.
This year I challenged myself (for no apparent reason) to watch a film a day. Don’t ask me why… I just did it.
In the beginning I was a bit doubtful and just wanted to do one month… so I slapped together the hashtag #AMovieADay and started not really sure where and when I would stop.
I ended up doing the whole 2020 (I only missed a few days when I was stranded in the mountains with no internet connection).
As it turned out, this little exercise gave me not just a little window into a better world during possibly one of the most difficult year of my life (and I know I’m not alone), but also a sort of refuge, a safety blanket (even though most of the film have broken me down to tears) and a space where I could lose myself and forget about everything else that was happening around me.
I’ve been trying to diversify as much as possible: dramas, comedies, animation, sci-fi, blockbusters, old classics, foreign language films, hidden gems, a few shorts and even a video-game which as it happened was better than many of the films I’ve watched.
I’ve also tried to reach all the possible streaming platforms: Netflix, Prime, Sky, Apple+, Disney+ and lately through the Bafta streaming site where I was able to access some of the latest offerings (but also things which have not been released yet).
As I near the end of 2020, I’m coming up with the impossible task of drawing list of my top 10 favourite.
Interestingly most of the ones I really liked were actually classic movies like “Il Sorpasso”, “One Flew of the Cockoo’s nest”, “ET , or film which I happened to see this year but were released in 2019 like “Corpus Christi”, “The Guilty”, “Marriage Story” and even some TV series “Unorthodox” “When they See Us” “Unbelievable”.
With my son we did weekly #movienight and ended up watching a lot of animated ones too (“Tangled” one of my favourite, “My Life as a courgette” the biggest surprise).
Finally many which were officially released in 2020, but I got to see it last year (1917, Jojo Rabbit, Parasite), so those didn’t make the list.
Anyway, here’s the list (though if you ask me tomorrow I might give you different ones).
I must confess that the title didn’t inspire me particularly but I am so happy I went beyond those simple three words.
As I started watching this documentary I had no idea what an emotional journey this was going to be. It brought tears in my eyes a few times (A very unexpected turn of events about half way through actually reduced me to a real wreck) but by the end of it I was able to find a little bit of redemption and comfort too, something I never thought would be possible while watching it.
This is a miracle of film, one of those documentaries that only happen once in a decade, and that’s exactly how long it took to make.
It is beautifully filmed and masterly edited (really!!), subtly observed and constructed with great empathy but at the same time without ever forcing any point of view. You might look at the patriarch of this family and think “this is a true American hero”, but you also might look at it and think “what an selfish asshole”.
It is an intimate portrait of a family, a stunning study of American masculinity, the need for purpose and place in life and a lot more.
It will frustrate you, annoy you, made you think, (inspire you?), move you like feel thing will.
I was astounded by it and deeply touched. Together with the Mole Agent (which is a lot more uplifting) this is my favourite film of the 2020.
Ever since this troubled 2020 began, I’ve already watched more than 360 films and as it happens when the number is so high, most of them pass me through and they’re pretty much forgotten within a week. Some films are obviously indisputable masterpieces: the way they are told, filmed, put together, their music, their performances… Others are just terrible… And then there few (very few) which work on you in more subtle ways. There may not be “The Godfather” or “Casablanca”, but they leave you with something that almost changes the way you are and think about things.
That was the case for “The Mole Agent”, which unexpectedly came along and not only it touched me the way very few things have, but it somehow left something inside me that I will most likely carry for the rest of my life. This is a beautiful, heart-warming documentary sensitively talks about issues like old age, loneliness, family and companionship as it takes you inside a nursing home in Santiago (Chile), where an old man infiltrates so that it can spy on the staff and see if the patients are being treated properly. All this is only just the pretext for something a lot deeper.
It is a documentary but filmed with warmth and love like a feature film, to the point that at times I wondered: “is this really true?” (It is as a matter of fact, as I have been reading several articles about it). It is also hilarious: I found myself laughing more often than I did during most of comedies this year. It’s inspired, moving, uplifting, heart-breaking and one of the sweetest thing
I’ve seen in a time where we all really need not just beautiful stories but also things which make us think about our older friends.
I loved it and it is now on top of my favourite films of the year. I urge you to seek it out as soon as you can.
I watched this small independent Australian film with no expectations and I was actually blown away. Despite a seemingly known plot line and all the dangerous pitfalls that a story about a terminally ill young girl carries with it, “Babyteeth” feels like a breath of fresh air: for a start it’s unexpectedly funny, mischievous, delightful, full of light and life. It’s surprising to read that it’s been adapted from a stage play, because it feels anything but stagey and stuffy. But beyond the cancer plot itself (refreshingly not a single doctor or hospital is to be seen in the film), the film is actually a coming of age story and it’s just about the girl herself, Milla, Moses, the older boy from the wrong side of the track and a drug addicted. It is also about her family too (the extraordinary Ben Mendelsohn who’ll soon be owed an Oscar, plays the father). They agree to let her see Moses, because after all how can you deny a dying person to see the man she loves? This is the worst possible parenting I can imagine.” They say knowingly.
Needless to say, given the subject matter, the film is also devastatingly heart-breaking and yet some of the best scenes in the film have nothing to do with Milla’s illness, though it’s obviously always lingering in the background as all the characters are trying to grieve, though not very succesfully. Babyteeth is possibly one of the best debut film of the year.
Director Shannon Murphy treats the material with both sensitivity and a lightness of touch, with humour and realism. Her visual flair, choice of music and attention to detail gives her a unique voice and makes this a film full of love, more than illness.
The final coda had me crying like fountain but it encapsulates the whole film which manages to be both poetic and realistic, funny and poignant all at the same time.
The film is available on streaming to buy or rent right now.