December 29, 2012 Leave a comment
The Impossible (2012)
Directed by Juan Antonio Bayona. Starring Naomi Watts, Ewan McGregor, Tom Holland.
The Impossible tells the true story of an American family (mother, father and three kids) caught up in the terrible Tsunami that in 2004 claimed the lives of an estimated 250000 people, residents and tourists alike, across 14 countries in South-East Asia: is was one of the largest natural disaster ever witnessed in human memory.
Of course the idea of using (or exploiting ssomebody may say) real-life horrors, natural (and non-natural) disasters and human tragedies to tell a story is at least as old as cinema itself. I could quote hundreds of movies that did it, some more successful than others… And if Titanic and its $1.8 billion at the box office on its release, is to be taken as proof, there is clearly an appetite for this kind of stuff. Whether it’s the holocaust, slavery, wars, shootings in schools, terrorist attacks: nothing seems to be sacred these days in Hollywood. No tragedy is off-limits anymore, not even a recent one like this. “United 93” did it for the terrorist attack to America only 5 years after the event. Raise your hand if you thought it was a good idea at the time…. And yet, surprisingly, it ended up being a fairly balanced film, incredibly powerful and on the whole quite an accomplished success. I’m not sure whether anyone actually needed it, but hey… that’s the subject for another discussion.
To cut to the chase, I don’t necessarily argue against the actual idea of telling such stories. After all, isn’t that what every single war movie does? Sometimes it can work. It can raise awareness for a certain tragedy or even serve as a tribute or a simple educational tool, it can give us a different prospective to a known event or it can help us to remember such a tragedy, never forget what our ancestors had to go through. Even seemingly simplistic films like Titanic, once again, beyond the silly love story, can be seen as a look into social classes at the beginning of 1900s.
Sadly “The Impossible” not only does none of that, but also has absolutely nothing to say. It exploits the tragedy to tell us an unbalanced and slightly distorted view of what actually happened in Thailand in 2004 following an American family who just happen to survive against all the odds: you may ask yourself “what’s the point?”. Well, there isn’t one… or if there is it’s probably “life is about luck… and whether you have a medical insurance or not”. Never mind the insane amount of people who died, most of which locals anyway (which in this film are largely ignored), never mind the ecological and economic impact of such tragedy: as long as the loving American family can reunite itself once again we are all happy. An absolute travesty, if you ask me. Simplistic, cheap, superficial, with an underlying uneasy complacency, and some troubling sentimentality throughout(including an over-played soundtrack, with twinkling piano and soaring strings).
And apparently the horrors of the real events were not enough for the film-makers so they even decided to add a series of manipulative clichés to enhance the drama (slow-motion – sound drops, and an incredibly misjudged sequence, which should really belong to a Black Edwards comedy, where father and son keep on missing each other among the multitude of people in a hospital).
It doesn’t matter whether the story is true of not, this is just not the way it should have been told.
It is a great shame because aside from that, the film technically is really impressive: the actual scene where the Tsunami hits the cost is truly terrifying and what I assume must be CGI is seamless (beating the one in Clint Eastwood’s dog of a film Hereafter) If you can somehow switch your brain off (a next-to-impossible task) and take this as just another silly disaster movie, a sort of Towering Inferno, or Dante’s peak, there is no denying that the film is quite gripping and emotionally draining. I just wish it could have been a lot more than that.
I long for the day Naomi Watts will finally choose a film which will give her a well deserved Oscar… Sadly this is not such film. Ewan McGregor once again confirms himself as a great charismatic leading actor and his absorbing performance is nothing short of perfect. And finally the little Tom Holland, whose name is deservedly bantered about these days within several industry magazines and papers next to those 3 words “For Your Consideration”. He’s really very good, bringing to the role the fragility of a kid of that age, the strength of a teenager but also depth and emotions reminiscent of some of the best child actors in movies. I can’t wait to see him in something not just half decent.
Their impressive performances ultimately lift the film and give it enough depth and gravitas to avoid being a complete failure and just an insult to so many of the real victims.