OSCAR Winners 2012

The Oscars played it very very very safe this year (well..  this year and every year in fact!): the biggest shock was probably the Girl with the Dragon Tattoo winning best Editing (quite unexpected, especially because the editors had won it last year with The Social Network). Hugo went home with most of the technical awards, best scripts awards given to Woody Allen and Alexander Payne and the big ones (film, director, actor) went to the Artist as expected… And the Artist for Best music too. Meryl graced our screen once again with her class and beauty and her oscar is one of the most deserved of the year. She is the embodiment of greatness! And finally, Spielberg got home with no award, however he got a big thanks from Octavia Spencer.

Check out my post of Oscar Snubs

Best Motion Picture of the Year

The Artist (2011): Thomas Langmann  (WINNER)

The Descendants (2011): Jim Burke, Alexander Payne, Jim Taylor

Extremely Loud and Incredibly Close (2011): Scott Rudin

The Help (2011): Brunson Green, Chris Columbus, Michael Barnathan

Hugo (2011/II): Graham King, Martin Scorsese

Midnight in Paris (2011): Letty Aronson, Stephen Tenenbaum

Moneyball (2011): Michael De Luca, Rachael Horovitz, Brad Pitt

The Tree of Life (2011): Nominees to be determined

War Horse (2011): Steven Spielberg, Kathleen Kennedy

Best Performance by an Actor in a Leading Role

Demián Bichir for A Better Life (2011)

George Clooney for The Descendants (2011) 

Jean Dujardin for The Artist (2011) (WINNER)

Gary Oldman for Tinker Tailor Soldier Spy (2011)

Brad Pitt for Moneyball (2011)

Best Performance by an Actress in a Leading Role

Glenn Close for Albert Nobbs (2011)

Viola Davis for The Help (2011)

Rooney Mara for The Girl with the Dragon Tattoo (2011)

Meryl Streep for The Iron Lady (2011) (WINNER)

Michelle Williams for My Week with Marilyn (2011)

Best Performance by an Actor in a Supporting Role

Kenneth Branagh for My Week with Marilyn (2011)

Jonah Hill for Moneyball (2011)

Nick Nolte for Warrior (2011)

Christopher Plummer for Beginners (2010) (WINNER)

Max von Sydow for Extremely Loud and Incredibly Close (2011)

Best Performance by an Actress in a Supporting Role

Bérénice Bejo for The Artist (2011)

Jessica Chastain for The Help (2011)

Melissa McCarthy for Bridesmaids (2011)

Janet McTeer for Albert Nobbs (2011)

Octavia Spencer for The Help (2011)  (WINNER)

Best Achievement in Directing

Woody Allen for Midnight in Paris (2011)

Michel Hazanavicius for The Artist (2011)  (WINNER)

Terrence Malick for The Tree of Life (2011)

Alexander Payne for The Descendants (2011)

Martin Scorsese for Hugo (2011/II)

Best Writing, Screenplay Written Directly for the Screen

The Artist (2011): Michel Hazanavicius

Bridesmaids (2011): Kristen Wiig, Annie Mumolo

Margin Call (2011): J.C. Chandor

Midnight in Paris (2011): Woody Allen  (WINNER)

A Separation (2011): Asghar Farhadi

Best Writing, Screenplay Based on Material Previously Produced or Published

The Descendants (2011): Alexander Payne, Nat Faxon, Jim Rash  (WINNER)

Hugo (2011/II): John Logan

The Ides of March (2011): George Clooney, Grant Heslov, Beau Willimon

Moneyball (2011): Steven Zaillian, Aaron Sorkin, Stan Chervin

Tinker Tailor Soldier Spy (2011): Bridget O’Connor, Peter Straughan

Best Animated Feature Film of the Year

A Cat in Paris (2010): Alain Gagnol, Jean-Loup Felicioli

Chico & Rita (2010): Fernando Trueba, Javier Mariscal

Kung Fu Panda 2 (2011): Jennifer Yuh

Puss in Boots (2011): Chris Miller

Rango (2011): Gore Verbinski  (WINNER)

Best Foreign Language Film of the Year

Bullhead (2011): Michael R. Roskam(Belgium)

Footnote (2011): Joseph Cedar(Israel)

In Darkness (2011): Agnieszka Holland(Poland)

Monsieur Lazhar (2011): Philippe Falardeau(Canada)

A Separation (2011): Asghar Farhadi(Iran)  (WINNER)

Best Achievement in Cinematography

The Artist (2011): Guillaume Schiffman

The Girl with the Dragon Tattoo (2011): Jeff Cronenweth

Hugo (2011/II): Robert Richardson  (WINNER)

The Tree of Life (2011): Emmanuel Lubezki

War Horse (2011): Janusz Kaminski

Best Achievement in Editing

The Artist (2011): Anne-Sophie Bion, Michel Hazanavicius

The Descendants (2011): Kevin Tent

The Girl with the Dragon Tattoo (2011): Angus Wall, Kirk Baxter   (WINNER)

Hugo (2011/II): Thelma Schoonmaker

Moneyball (2011): Christopher Tellefsen

Best Achievement in Art Direction

The Artist (2011): Laurence Bennett, Robert Gould

Harry Potter and the Deathly Hallows: Part 2 (2011): Stuart Craig, Stephenie McMillan

Hugo (2011/II): Dante Ferretti, Francesca Lo Schiavo  (WINNER)

Midnight in Paris (2011): Anne Seibel, Hélène Dubreuil

War Horse (2011): Rick Carter, Lee Sandales

Best Achievement in Costume Design

Anonymous (2011/I): Lisy Christl

The Artist (2011): Mark Bridges

Hugo (2011/II): Sandy Powell  (WINNER)

Jane Eyre (2011): Michael O’Connor

W.E. (2011): Arianne Phillips

Best Achievement in Makeup

Albert Nobbs (2011): Martial Corneville, Lynn Johnson, Matthew W. Mungle

Harry Potter and the Deathly Hallows: Part 2 (2011): Nick Dudman, Amanda Knight, Lisa Tomblin

The Iron Lady (2011): Mark Coulier, J. Roy Helland   (WINNER)

Best Achievement in Music Written for Motion Pictures, Original Score

The Adventures of Tintin (2011): John Williams

The Artist (2011): Ludovic Bource   (WINNER)

Hugo (2011/II): Howard Shore

Tinker Tailor Soldier Spy (2011): Alberto Iglesias

War Horse (2011): John Williams

Best Achievement in Music Written for Motion Pictures, Original Song

The Muppets (2011): Bret McKenzie(“Man or Muppet”)   (WINNER)

Rio (2011): Sergio Mendes, Carlinhos Brown, Siedah Garrett(“Real in Rio”)

Best Achievement in Sound Mixing

The Girl with the Dragon Tattoo (2011): David Parker, Michael Semanick, Ren Klyce, Bo Persson

Hugo (2011/II): Tom Fleischman, John Midgley  (WINNER)

Moneyball (2011): Deb Adair, Ron Bochar, David Giammarco, Ed Novick

Transformers: Dark of the Moon (2011): Greg P. Russell, Gary Summers, Jeffrey J. Haboush, Peter J. Devlin

War Horse (2011): Gary Rydstrom, Andy Nelson, Tom Johnson, Stuart Wilson

Best Achievement in Sound Editing

Drive (2011): Lon Bender, Victor Ray Ennis

The Girl with the Dragon Tattoo (2011): Ren Klyce

Hugo (2011/II): Philip Stockton, Eugene Gearty   (WINNER)

Transformers: Dark of the Moon (2011): Ethan Van der Ryn, Erik Aadahl
War Horse (2011): Richard Hymns, Gary Rydstrom

Best Achievement in Visual Effects

Harry Potter and the Deathly Hallows: Part 2 (2011): Tim Burke, David Vickery, Greg Butler, John Richardson

Hugo (2011/II): Robert Legato, Joss Williams, Ben Grossmann, Alex Henning  (WINNER)

Real Steel (2011): Erik Nash, John Rosengrant, Danny Gordon Taylor, Swen Gillberg

Rise of the Planet of the Apes (2011): Joe Letteri, Dan Lemmon, R. Christopher White, Daniel Barrett

Transformers: Dark of the Moon (2011): Scott Farrar, Scott Benza, Matthew E. Butler, John Frazier

Best Documentary, Features

Hell and Back Again (2011): Danfung Dennis, Mike Lerner

If a Tree Falls: A Story of the Earth Liberation Front (2011): Marshall Curry, Sam Cullman

Paradise Lost 3: Purgatory (2011): Joe Berlinger, Bruce Sinofsky

Pina (2011): Wim Wenders, Gian-Piero Ringel

Undefeated (2011): Daniel Lindsay, T.J. Martin, Rich Middlemas  (WINNER)

Best Documentary, Short Subjects

The Barber of Birmingham: Foot Soldier of the Civil Rights Movement (2011): Robin Fryday, Gail Dolgin God Is the Bigger Elvis: Rebecca Cammisa,
Julie Anderson

Incident in New Baghdad (2011): James Spione

Saving Face (2011/II): Daniel Junge, Sharmeen Obaid- Chinoy   (WINNER)

The Tsunami and the Cherry Blossom (2011): Lucy Walker, Kira Carstensen

Best Short Film, Animated

Dimanche (2011): Patrick Doyon

The Fantastic Flying Books of Mr. Morris Lessmore (2011): William Joyce, Brandon Oldenburg  (WINNER)

La Luna (2011): Enrico Casarosa

A Morning Stroll (2011): Grant Orchard, Sue Goffe

Wild Life (2011): Amanda Forbis, Wendy Tilby

Best Short Film, Live Action

Pentecost (2011): Peter McDonald

Raju (2011): Max Zähle, Stefan Gieren

The Shore: Terry George, Oorlagh George   (WINNER)

Time Freak (2011): Andrew Bowler, Gigi Causey Tuba

Atlantic (2010): Hallvar Witzø

OSCAR NOMINATIONS 2012

The Oscar nominations have just been announced today (January the 24th). The awards will be given on February the 26th

BEST FEATURE FILM:

This year it seems that the Artist might just win it. I didn’t unexpected to see Extremely Loud & Incredibly Close, which hasn’t really been making many lists for favourite movie this year. War Horse had to be in the list, however it’s interesting to see that Spielberg didn’t really gets any nod (nor for directing, nor for Animation)

Actor In a Leading Role

Unexpected but quite a well deserved nomination for Gary Oldman, however my vote goes to Clooney (he’s also the front runner on the list). Most newspapers obivously picked up on the fact that it’s a battle of the “hot” as Clooney and Pitt are both nominated.

Actress In a Leading Role

Is there any chance for anybody else but Meryl Streep? Don’t think so. I did like Michelle Williams too though.

Actor In a Supporting Role

Good to see Christopher Plummer nominated (I did say in my review at the time he might  get it). However I am quite pleased to see Kenneth Branagh on the list too. The surprise is Jonah Hill, who probably can’t believe his luck!

Actress In a Supporting Role

The Oscars voter might for for Octavia Spencer (just like the Golden Globes voters). I thought the move to put Bérénice Bejo forward for supporting actrtess was actually quite clever (thus avoiding to compete against Meryl Streep or Michelle Williams)

Directing

Mallick is unexpected, but it’s a battle between Michel Hazanavicius and Alexander Payne. Woody Allen seems to be the only person alive who is allowed to get nominated for an Oscar when directing (or writing) a comedy.

Cinematography

All very well deserved nominations. The Artist might get it, but the photography on both the Tree of life and War horse was quite astonishing. It’s great to see Jeff Cronenweth nominated for his cold touch in the girl with the Dragon tattoo.

Animated Feature Film

I find shocking that Tintin is not in the list for best Animated Film, however it’s good to see some brave choices, like Chico and Rita… But was Puss in boots better than Tintin? And Kung Fu Panda 2?!?! Are we kidding?

Art Direction

All well deserved nominations and even though Harry Potter should finally be recognised for something

Costume Design

Documentary Feature

Documentary Short

Film Editing

Some people say that the best editing is also the most invisible one… Which is probably why usually very flashy editings seem to win awards left and right (JFK style just to mention one glaring example), in which case Moneyball should really win… However it will once again be the Artist, even though the film was a bit too slow and definitely 20 minutes too long.

Foreign Language Film

Makeup

Music (Original Score)

Music (Original Song)

Short Film (Animated)

Short Film (Live Action)

Sound Editing

Sound Mixing

Visual Effects

Writing (Adapted Screenplay)

Writing (Original Screenplay)

In the end, not too may surprises of course. The Artis is obviously coming through as the main contended in the big categories, the Descendants is going to be the one to beat.

On the acting front, Meryl Streep is the frontrunner as we all know… and I do also feel this is George’s year (yes, he did win, but as supporting actor).

What do you think? Leave us a message  and share your thoughts

Hereafter – Review

HEREAFTER (2010)

Directed by Clint Eastwood. Starring Cécile De France, Thierry Neuvic, Jessica Griffiths,Frankie, McLaren, George McLaren

I just can’t believe this film has been getting some good reviews. If it hadn’t been directed by CLINT EASTWOOD I’m sure people would have looked at it in a different way, but it seems it’s become a sin to bad-mouth a Clint Eastwood‘ film. What’s the matter with people and Clint Eastwood?

Just because the guy is 80 we should forgive him films like these?

First of all let’s all admit that Clint’s recent work has been rather inconsistent, and then let’s try to see how with this film he’s really touched rock bottom.

On paper HEREAFTER could almost work. It is the story of 3 different people in 3 different countries having to deal with death in 3 completely different ways. In the first story, Matt Damon has psychic abilities and he’s able to communicate with the dead (or rather listen to them).

The second story is about a French woman, Cécile De France (probably known to the US audience from the latest “AROUND THE WORLD IN 80 DAYS“) who has survived a near-death experience and she’s now dealing with the post trauma.

And finally the third story is set in London and it’s about a young schoolboy who’s just lost his twin brother and he’s also trying to deal with the loss.

Unfortunately the film doesn’t really manage to go beyond these simple intriguing plot lines and what should have been an interesting story about loss, grief and death, told by an old aged man (who certainly must feel this subject very close to him, given his age) slowly (very slowly) becomes a heavy-handed gush of sentimentality, with a script riddled with a series of spoon-fed clichés.

People may argue that since Spielberg is the executive producer of this film, all this was meant to happen from the start. However , not only Spielberg had very little to do with the film itself, but also “subtlety” hasn’t been a word present in Eastwood’s dictionary either, especially in the last few years (Clint’s family in GRAN TORINO for example was so over the top and it almost felt like a parody). Hence the obviously gratuitous images like the one of the “lonely person” shown eating alone in the kitchen, or the poor boy you’re supposed to feel sorry for, or the business woman who’s not listening to his colleagues during a meeting at work, because she’s really concerned about more important stuff…

The whole film is a series of telegraphed sequences where you can tell exactly what’s going to happen miles before it actually does. Everything feels so formulaic, remote and non-engaging that after a while it all gets rather boring as the film unravels towards the most terrible and sentimental ending of all (with the added bonus of a musical surge in strings which feels like you’re watching “Airplane!” ), and yet all this sentimentality lacks of any emotional truth.

Yes, of course, some of it might be quite emotional, but it’s easy to make people cry when you’re dealing with a subject like death. The film is incredibly manipulative to the point of being almost offensive. The way we are introduced to the kid who’s going to die, for example, is one of the most glaring examples of that manipulation (and example of a scene being telegraphed before it happens) as the kid gets depicted as the perfect boy, who takes care of his drug-addicted mother: not only very smart but also very well-behaved, so that we can be even more depressed once he dies.

All the characters are so sketchily drawn out that it’s hard to see something more in them than their one dimension personalization: they do things just because the plot requires them to do so. Let’s take Matt Damon for example: he has a gift but he thinks it’s a curse, well, at least that’s what he says… The film never really properly explains why he thinks what he does. The script makes sure he tells us that he’s tired of having to live with death, but his character does nothing to show us that . All the way trough the film we get constantly told things in very forced lines of dialogue which are never really translated in action or pictures on the screen. For example, what on earth makes him change his mind towards the end of the film. Seeing a kid suffering for the loss of his brother? Is that really different from seeing a husband grieving for the loss of his wife, or a poor woman crying outside his door, begging for help? How’s that different? The film won’t tell us

Clint Eastwood‘s direction comes form a place of belief, something which might alienate a great deal of the audience. He also makes the terrible mistake of showing us what the afterlife is like right from the start, and the film never recovers from it.

The film lacks subtlety: it would have been much more interesting (and stronger) if it had remained less “Sci-fi” and more introspective. All those silly things like the twin’s blowing off the cap in the underground seemed to belong to a different film… Ghost maybe?

That to me is the main problem with the film (aside from the fact that it’s very slow, something which I don’t particularly mind, but I am sure a lot of people will): the fact that it doesn’t quite know what it wants to be. Is it an introspective drama about death? Is it fantasy story? Is it a religious propaganda? At one point it even seem like an action flick with that massive (and unexpected) Tsunami sequence (which I have to admit took me by surprise and yet it seems to belong to a different film, especially once you’ve seen the rest). Unfortunately the film tries to be all these things and more and in the end by trying too much ends up being quite unsatisfactory on pretty much all fronts. The script is just very clunky and the direction this time doesn’t make it any better.

It’s interesting to see how the trailer makes it look like a cross between the Sixth Sense2012 and even (once again) Ghost… Probably not even the publicists knew what to make of it.

Even the music is fairly forgettable as it keeps on re-hashing the same sort of cues we’re quite used to hear in a Clint Eastwood’s movie. Everything seems half-improvised on the spot without a real unifying theme.

The performances are probably OK, but it’s hard to judge with the weak material they’re given.

In the end this film proves that you just can’t make a film every year, whether you’re Clint Eastwood or Woody Allen: eventually the rush of putting all those ideas onto the screen without having enough time to make them work properly will begin to show. Just because a movie is about important things like death and loss doesn’t make it a good film. In fact this is a fairly pointless one.

5.5/10

PS: Having said all this, a very good friend of mine saw it recently and loved it. There you go. Once again, it’s all subjective.

The Way Back – Review

THE WAY BACK  

Directed by Peter Weir. Starring Jim SturgessColin FarrellDejan AngelovDragos BucurEd HarrisMark Strong

Based on a supposedly true memoir (possibly even ghostwritten) by Slavomir Rawicz called The Long Walk, (no, not the one by Stephen King), it tells the story of a polish prisoner and his companions escaping labour camp in Siberia in the 1940s and basically walking all the way across, Mongolia, China, the Himalayas and then into India.

I am sure your geography is pretty good, but just to refresh it a little bit I took the liberty of attaching a map to this post, just to show you how bloody far it is!!

It is an amazing story, so amazing that people argue whether it’s actually true or not. However, the movie goes beyond all that: yes it is a story about the journey, but also about the human endurance, about bonding with friends,  and ultimately about people prevailing over the adversities.

I find this film particularly hard to review: I saw it a few days ago, but resisted from writing anything about it, as I wanted to wait for the film to sink in.

My first reaction was that the pace  of the film seemed to be a bit off. It is a long one for sure, and yet I felt, for the first time in a while, that actually it could have gained more pathos by being even a touch longer. I couldn’t help feeling there must be a lot of material somewhere in the editing room that didn’t quite make the final cut, most of which at the expense of the characters and their relation with one another.

It all seemed oddly fast in places. For example, in one scene people argue with each other, in the next one (few days later) they were all talking normally. At some point they were all suspicious about a new girl joining their group, the next moment they were talking to her and revealing their deepest emotions.

This particularly happens towards the beginning of the film and it made me feel a bit uneasy about it all.

I do wonder if it would have been better to get rid off one of the characters and concentrate more on the fewer of them. It’s interesting to notice that well into the film I still had no idea how many people were actually on the journey and who was who.

I can’t wait to see a possible director’s cut on DVD (or even better ono BluRay): I’m sure the film could only improve by being a little bit more drawn out. I can’t quite believe I’m hearing myself saying that, but it is after all a film about an incredible long journey, so it’s fair enough to have a film which feels  just as long.

Having said all this, the whole thing just looks beautiful! I was quite surprised to see the National Geographic logo at the front, but having seen the film, somehow it all makes sense. Those grand landscapes and vistas make it look like one of their best documentaries.

Performances are strong throughout. Jim Sturgess was chosen by the director on the basis of “Across the Universe” (a film which has been panned in this country and yet loved in many others… in which case I’d consider myself a foreigner).  Colin Farrell is the quirkiest of the all (what a surprise) and I really enjoyed watching him. And Ed Harris, who plays his age, pulls out one of the most rounded characters of the whole piece.

I was also a bit surprised to see a caption at the front of the film basically giving away the ending ( I won’t do here, don’t worry) which actually, when it finally comes, feels rushed and a bit “tagged on” and left me with a slight sour taste in my mouth.

And it’s a real shame, because on the whole, this is a solid film, quite understated (including the music, which could have gone so syrupy/hollywood grand and instead, thankfully was kept quite restrained) , with a good story and good performances. I would recommend it to anyone., even though it might not make it to the Oscars…

7/10

The Fighter – Review

The Fighter (2010)

Directed by David O. Russell. Starring Mark Wahlberg, Christian Bale, Amy Adams

This was an unexpected surprise! After seen the trailer for “The Fighter” I didn’t really think much of it. Then I saw that it was directed by David O. Russel and remembered how much I hated I Heart Huckabees. Oh dear, I thought to myself, this isn’t going to be a happy viewing… Oh, how I was wrong!!!

This is now probably in my top 10 film of the year (or even top 5 dare I say).

The trailer makes it look like another film about a boxer, filled with violence for the latest testosterone generation, yet this film is as much as boxing as the first Rocky was, actually even less. And just like that film (I’m sorry but the parallel is inevitable), it’s a story about an underdog, a rag-to-riches tale, a story about characters more than anything else.

At the centre of the action is the relationship between  two brothers: the boxer “Irish” Micky Ward (Mark Wahlberg) and Dickie Eklund (Christian Bale) who helped train him.

At this point I must confess my complete ignorance about any type of sports. So much so that I had never even head of Micky Ward so the whole turn of events was a complete surprise (including the ending).

The thing that will strike anyone watching the film is the acting of pretty much everybody in it.

Once again (as he had done for the Machinist in 2003) Christian Bale has lost a lot of weight reportedly by eating very little. He researched the part by taking notes on Eklund’s mannerisms and recording conversations for the character’s distinct accent. Apparently he even stayed in character throughout filming. Well, whatever he did, it really works. Bale transformed himself completely for this film and it’s hard to believe that he’s the same person behind the cape in Batman or even in Terminator: salvation.

And as an extra proof of how good Christian Bale is in the film, when during the end credits we are treated with some real footage of the real people in the film, we can be amazed by how similar his mannerism and accents are.

Because of the part itself, Bale is really the one who steals the show every time he’s on-screen, however Mark Wahlberg is also very good too in a much more understated act, which almost goes unnoticed. Never for a moment you doubt that he’s actually anything but a boxer (apparently he even had a boxing ring in his back garden during the making of this film).

But the big surprise for me was Melissa Leo who plays the mother in the film: a relatively unknown actress and yet a great force of nature in the Fighter.

The film is very nicely balanced, has a very good pace, a tight script and a nicely controlled and never showy direction. The only noticeable choice was the way they decided to film the few fight sequences in the film, by using video as opposed to film (or at least it look that way), by making the inter-cutting with the real footage seamless.

This is a beautiful movie which probably hasn’t got anything new that we haven’t seen before but it’s got a moving story that rings true at every step and will make you laugh, cry and cheer all the way to the last frame and it’s done with such simplicity and sincerity that it’s hard not to admire.

8.5/10


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