BAFTA AWARDS 2011

BAFTA AWARDS 2011 – RESULTS & COMMENTS

The BAFTA Awards for 2011 have just been given out. Once again it proved how biased these awards are towards British Films. The King’s Speech was the big winner of the evening (no surprise there), grabbing all sorts of awards (7 in all). Here’s the list of all the winners and some quick comments from me.

Best Film – The King’s Speech

Like it was predicted. I wonder if in a few years time we’ll be remembering this film, or Inception and Toy Story 3. Oh well, it was so predictable.

Leading Actor – Colin Firth – The King’s Speech

Well deserved I supposed, but my votes would have gone to James Franco, especially since Colin had won it last year.

Leading Actress – Natalie Portman – Black Swan

She was pretty amazing in that film, so totally deserved. And I am so happy that annoying  HAILEE STEINFELD didn’t get it for True Grit

Director – The Social Network – David Fincher

Well, I am happy it wasn’t Tom Hooper.. but it should have gone to Nolan for INCEPTION

Cinematography – True Grit – Roger Deakins

Totally deserved, though it was a hard choice, Matthew Libatique did a great job for BLACK SWAN and INCPETION (Wally Pfister) looked amazing!

Adapted Screenplay – The Social Network – Aaron Sorkin

Well, there was no other choice for this, was there? He should get an Award every year just for his West Wing!!

Orange Wednesdays Rising Star Award – Tom Hardy

Well deserved. He stole every scene in Inception and he’s going to be huge with the next Batman movie. Let’s face it ANDREW GARFIELD was Ok on the Social Network, but very transparent on Never Let Me Go

Animated Film – Toy Story 3

Well, of course. What else was there?

Original Screenplay – The King’s Speech – David Seidler

This was to be expected, but it’s a shame Inception couldn’t make it.I can see this might be one of those differences at the Oscars.

Supporting Actor – Geoffrey Rush – The King’s Speech

One of the most controversial win, not because Geoffrey Rush didn’t deserve it, but because we all thought it was going to go to Christian Bale. I guess it was probably a way to punish Bale for his recent behavior. Anyway, his Oscar is coming soon…

Outstanding British Film – The King’s Speech

All pretty predictable of course, however since it got the Best film, this award should have really gone to somebody else. Mike Leigh’s Another Year for example was left empty-handed.

Outstanding Debut by a British Writer, Director or Producer – Four Lions – Director/Writer – Chris Morris

This was also pretty predictable, but a lot of people though THE ARBRO  was a better film. My vote would have gone to EXIT THROUGH THE GIFT SHOP , a documentary which I really enjoyed, but also I would have loved to see Banksy collecting the award… hehehe.

Supporting Actress – Helena Bonham Carter – The King’s Speech

A bit of a travesty in my view. This performance was a real caricature and pretty one-dimensional. Brits love Helena, so it was all rather predictable. It’s a pity for LESLEY MANVILLE or ANY ADAMS

Special Visual Effects – Inception – Chris Corbould, Paul Franklin, Andrew Lockley, Peter Bebb

Well deserved.

Production Design – Inception – Guy Hendrix Dyas, Larry Dias, Doug Mowat

As Above

Costume Design – Alice in Wonderland – Colleen Atwood

A pretty obvious choice considering the nominees.

Film Not in the English Language – The Girl With the Dragon Tattoo – Søren Stærmose, Niels Arden Oplev

I don’t really get this. I never really understood the success of this film, especially in a year when you have films like THE SECRET IN THEIR EYES, and OF GODS AND MEN. However I’m happy BIUTIFUL didn’t get it, since it was the most depressing film of the year!

Make Up & Hair – Alice in Wonderland – Valli O’Reilly, Paul Gooch

Well, the only other choice was HARRY POTTER, but then again, they’re probably waiting for the next one.

Editing – The Social Network – Angus Wall, Kirk Baxter

Following the rule that the best editing is the invisible one, then this is probably a deserved award. However it should have gone to Lee Smith for INCEPTION

Sound – Inception – Richard King, Lora Hirschberg, Gary A Rizzo, Ed Novick

Well deserved, but the sound on 127 HOURS was truly amazing.

Original Music – The King’s Speech – Alexandre Desplat

It was the obvious choice, but INCEPTION‘s music by Hans Zimmer was almost revolutionary and it is still the most memorable.

Short Animation – The Eagleman Stag – Michael Please

Short Film – Until the River Runs Red – Paul Wright, Poss Kondeatis

After writing this list, I wrote to the Evening Standards the following email, an extract of which, once again, got published on the 15th of February. (It’s the second one they publish, the first  one was for Harry Potter)

After 63 years of BAFTA and 82 years of Oscars (and everything else in between), It must be really hard for these poor people to come up with an acceptance speech that is original, succinct, sharp, witty, but most importantly memorable.
Sam Leiht’s hit the nail right on the head: “better embarrassed than forgotten”. Last thing you want to do is to give a lousy speech: and yet there are still those who end up just making long list of boring names nobody knows anything about, or those who read from cue-cards!
For crying out-loud people: you’re actors!! Act! Remember your lines!! And perform for your audience!
I am not necessarily saying you have to do what Roberto Benigni did at the Oscars in ’99 (though that was pretty awesome.. and definitely memorable!), jumping up and down and shouting “I want to make love with all of you”, but I’m sure you could do better than just thanking your mom and your agent or your beautiful husband/wife.
That Bafta show last night was on the whole pretty lame, in my view, and the only real memorable speech was the one from Helena Bonham Carter (mainly because for some reason she was allowed to break the rule and to go on for a lot longer than she was allowed to).
In their defense, it must be said that nowadays there are too many Movie Awards around and, if you are Colin Firth, from the King’s Speech, you know you’re going to have speak more than once: so what do you do in that case? Do you give the same one over and over again, do you give your best earlier on (maybe at the Golden Globes), or do you hold out for the Oscars (because let’s face it, that’s the one that gets remembered).
I really hope Colin Firth opted for the latter as the one from last night was pretty forgettable… in fact I can’t even remember what he said.
It’s all probably part of a bigger discussion on whether we really need all these awards…
Warren Beatty was right on his acceptance speech in ’76 when he said “We want to thank all of you for watching us congratulate ourselves tonight”, because that’s essentially what they all do. C’mon guys, be a bit more creative!

The Fighter – Review

The Fighter (2010)

Directed by David O. Russell. Starring Mark Wahlberg, Christian Bale, Amy Adams

This was an unexpected surprise! After seen the trailer for “The Fighter” I didn’t really think much of it. Then I saw that it was directed by David O. Russel and remembered how much I hated I Heart Huckabees. Oh dear, I thought to myself, this isn’t going to be a happy viewing… Oh, how I was wrong!!!

This is now probably in my top 10 film of the year (or even top 5 dare I say).

The trailer makes it look like another film about a boxer, filled with violence for the latest testosterone generation, yet this film is as much as boxing as the first Rocky was, actually even less. And just like that film (I’m sorry but the parallel is inevitable), it’s a story about an underdog, a rag-to-riches tale, a story about characters more than anything else.

At the centre of the action is the relationship between  two brothers: the boxer “Irish” Micky Ward (Mark Wahlberg) and Dickie Eklund (Christian Bale) who helped train him.

At this point I must confess my complete ignorance about any type of sports. So much so that I had never even head of Micky Ward so the whole turn of events was a complete surprise (including the ending).

The thing that will strike anyone watching the film is the acting of pretty much everybody in it.

Once again (as he had done for the Machinist in 2003) Christian Bale has lost a lot of weight reportedly by eating very little. He researched the part by taking notes on Eklund’s mannerisms and recording conversations for the character’s distinct accent. Apparently he even stayed in character throughout filming. Well, whatever he did, it really works. Bale transformed himself completely for this film and it’s hard to believe that he’s the same person behind the cape in Batman or even in Terminator: salvation.

And as an extra proof of how good Christian Bale is in the film, when during the end credits we are treated with some real footage of the real people in the film, we can be amazed by how similar his mannerism and accents are.

Because of the part itself, Bale is really the one who steals the show every time he’s on-screen, however Mark Wahlberg is also very good too in a much more understated act, which almost goes unnoticed. Never for a moment you doubt that he’s actually anything but a boxer (apparently he even had a boxing ring in his back garden during the making of this film).

But the big surprise for me was Melissa Leo who plays the mother in the film: a relatively unknown actress and yet a great force of nature in the Fighter.

The film is very nicely balanced, has a very good pace, a tight script and a nicely controlled and never showy direction. The only noticeable choice was the way they decided to film the few fight sequences in the film, by using video as opposed to film (or at least it look that way), by making the inter-cutting with the real footage seamless.

This is a beautiful movie which probably hasn’t got anything new that we haven’t seen before but it’s got a moving story that rings true at every step and will make you laugh, cry and cheer all the way to the last frame and it’s done with such simplicity and sincerity that it’s hard not to admire.

8.5/10


%d bloggers like this: