The Girl with the Dragon Tattoo – Review

The Girl with the Dragon Tattoo (2011) 

Director: David Fincher. Writers: Steven Zaillian. Cast: Daniel CraigRooney MaraChristopher PlummerStellan SkarsgårdRobin Wright

Your appreciation and enjoyment for  this film mainly comes down to whether you buy into the story or not and whether you are you a fan of the original book (I should probably say books, since this is the first part of a trilogy). Unfortunately my answer to both questions is quite a drastic no: I know I am going to be quite unpopular with this statement, but I’ve never really fallen in love with the book and I in fact just don’t seem to be able to  find the appeal for the actual story itself. I find it quite derivative, exploitive, contrived and a bit heavy-handed to be honest. These exact same problems are translated (in fact even enhanced) into both film adaptations.

It’s probably unfair to draw comparisons with Niels Arden Oplev‘s 2009 version, but also unavoidable. There are of course similarities, but given the fact that David Fincher is directing, the US version is a lot more slicker and cinematic. It is also closer to the original book in many places, but, as always in condensing it all into a movie, it has lost some of its more polemical thrusts from Larsson‘s story and some of the details which made the characters so compelling. All for the sake of the actual crime/mystery plot (which let’s face it, it’s pretty bland for today’s standards and brings very little new to the genre). So in the end, not only the film suffers from the same problems of the book but by shrinking it all it has lost some of its more subtle subtext too.

I am not really saying anything new here: what works in books doesn’t necessarily work movies. For example, the film spends a long time setting up the two main characters who don’t meet until a good hour and 20 minutes into the story. And yet despite all this time Daniel Craig‘s character is just as elusive to the audience as it was at the beginning. That is an ongoing problem with Fincher’s movies. His usual cold approach to film-making and detachment from his characters makes it always very hard for anyone to empathise with anyone on the screen. Craig does bring some unexpected charm and a slight sense of humour to his character (something which was completely absent in the previous version), but it’s really not enough to make you care for his character, let alone for making you want to watch him again for the next couple of sequels (Fincher has recently announced his interest to direct both sequels back to back… But no official announcement will be made until this one get released, of course).

It’s Rooney Mara who really steals the show here (well, let face it, so did Noomi Rapace in the previous version. It’s a great part to play!). This is one of the performances of the year and there will certainly be nominations and awards for her coming left and right over the next few months. She even manages bring a certain realism to an otherwise over-the-top character by convey both fragility and an incredible strength, sometimes with pure simple looks.

However, did we really need that 1 hour and 20 minutes of preparation before these two characters meet? Did we really need to see the infamous rape scene? Yes of course, it’s that rape that gives her the motivation for wanting to solve the crime, but why couldn’t they just convey that with a quick flashback? Why was the audience allowed inside that room watching not only the rape but also her revenge to her rapist? Wouldn’t it have been just as effective and less exploitive if we had been left outside the door, maybe listening to the screams?

The problem is, if you take all that preamble out of the equation, you’re actually left with very little else because let’s face it, as a mystery this is a fairly derivative film.

As I said, these are all queries with the book and the story itself . Given the material Fincher has probably down the best he could. This is a handsome film, with some solid acting (Plummer once again is at his best!)  but in the end you’re left with a sense of “…so what?”.

I couldn’t help feeling that everything that Fincher did in this film, he had already done it before.

The dark tones of Se7en, the seedy  and multilayered atmosphere of Zodiac, the dark ominous  music (if we can call it that) by Trent Reznor from  The Social Network.

Finally it’s probably worth mentioning the impressive “James Bondesque” title sequence (again, Fincher has down beautiful title sequences before) to the notes of the cover version of  “Immigrant Song” by Led Zeppelin which I found absolutely mesmerizing and yet somehow seemed to belong to a different film altogether.

In the end this film adds very little to the previous version, aside from giving us the wonderful Rooney Mara, and certainly adds nothing to what I already know about David Fincher. I just look forward to seeing him handling a script and a story worth of his craft, because I do believe he’s one of the best directors out there right now…

6.5/10

BAFTA AWARDS 2011

BAFTA AWARDS 2011 – RESULTS & COMMENTS

The BAFTA Awards for 2011 have just been given out. Once again it proved how biased these awards are towards British Films. The King’s Speech was the big winner of the evening (no surprise there), grabbing all sorts of awards (7 in all). Here’s the list of all the winners and some quick comments from me.

Best Film – The King’s Speech

Like it was predicted. I wonder if in a few years time we’ll be remembering this film, or Inception and Toy Story 3. Oh well, it was so predictable.

Leading Actor – Colin Firth – The King’s Speech

Well deserved I supposed, but my votes would have gone to James Franco, especially since Colin had won it last year.

Leading Actress – Natalie Portman – Black Swan

She was pretty amazing in that film, so totally deserved. And I am so happy that annoying  HAILEE STEINFELD didn’t get it for True Grit

Director – The Social Network – David Fincher

Well, I am happy it wasn’t Tom Hooper.. but it should have gone to Nolan for INCEPTION

Cinematography – True Grit – Roger Deakins

Totally deserved, though it was a hard choice, Matthew Libatique did a great job for BLACK SWAN and INCPETION (Wally Pfister) looked amazing!

Adapted Screenplay – The Social Network – Aaron Sorkin

Well, there was no other choice for this, was there? He should get an Award every year just for his West Wing!!

Orange Wednesdays Rising Star Award – Tom Hardy

Well deserved. He stole every scene in Inception and he’s going to be huge with the next Batman movie. Let’s face it ANDREW GARFIELD was Ok on the Social Network, but very transparent on Never Let Me Go

Animated Film – Toy Story 3

Well, of course. What else was there?

Original Screenplay – The King’s Speech – David Seidler

This was to be expected, but it’s a shame Inception couldn’t make it.I can see this might be one of those differences at the Oscars.

Supporting Actor – Geoffrey Rush – The King’s Speech

One of the most controversial win, not because Geoffrey Rush didn’t deserve it, but because we all thought it was going to go to Christian Bale. I guess it was probably a way to punish Bale for his recent behavior. Anyway, his Oscar is coming soon…

Outstanding British Film – The King’s Speech

All pretty predictable of course, however since it got the Best film, this award should have really gone to somebody else. Mike Leigh’s Another Year for example was left empty-handed.

Outstanding Debut by a British Writer, Director or Producer – Four Lions – Director/Writer – Chris Morris

This was also pretty predictable, but a lot of people though THE ARBRO  was a better film. My vote would have gone to EXIT THROUGH THE GIFT SHOP , a documentary which I really enjoyed, but also I would have loved to see Banksy collecting the award… hehehe.

Supporting Actress – Helena Bonham Carter – The King’s Speech

A bit of a travesty in my view. This performance was a real caricature and pretty one-dimensional. Brits love Helena, so it was all rather predictable. It’s a pity for LESLEY MANVILLE or ANY ADAMS

Special Visual Effects – Inception – Chris Corbould, Paul Franklin, Andrew Lockley, Peter Bebb

Well deserved.

Production Design – Inception – Guy Hendrix Dyas, Larry Dias, Doug Mowat

As Above

Costume Design – Alice in Wonderland – Colleen Atwood

A pretty obvious choice considering the nominees.

Film Not in the English Language – The Girl With the Dragon Tattoo – Søren Stærmose, Niels Arden Oplev

I don’t really get this. I never really understood the success of this film, especially in a year when you have films like THE SECRET IN THEIR EYES, and OF GODS AND MEN. However I’m happy BIUTIFUL didn’t get it, since it was the most depressing film of the year!

Make Up & Hair – Alice in Wonderland – Valli O’Reilly, Paul Gooch

Well, the only other choice was HARRY POTTER, but then again, they’re probably waiting for the next one.

Editing – The Social Network – Angus Wall, Kirk Baxter

Following the rule that the best editing is the invisible one, then this is probably a deserved award. However it should have gone to Lee Smith for INCEPTION

Sound – Inception – Richard King, Lora Hirschberg, Gary A Rizzo, Ed Novick

Well deserved, but the sound on 127 HOURS was truly amazing.

Original Music – The King’s Speech – Alexandre Desplat

It was the obvious choice, but INCEPTION‘s music by Hans Zimmer was almost revolutionary and it is still the most memorable.

Short Animation – The Eagleman Stag – Michael Please

Short Film – Until the River Runs Red – Paul Wright, Poss Kondeatis

After writing this list, I wrote to the Evening Standards the following email, an extract of which, once again, got published on the 15th of February. (It’s the second one they publish, the first  one was for Harry Potter)

After 63 years of BAFTA and 82 years of Oscars (and everything else in between), It must be really hard for these poor people to come up with an acceptance speech that is original, succinct, sharp, witty, but most importantly memorable.
Sam Leiht’s hit the nail right on the head: “better embarrassed than forgotten”. Last thing you want to do is to give a lousy speech: and yet there are still those who end up just making long list of boring names nobody knows anything about, or those who read from cue-cards!
For crying out-loud people: you’re actors!! Act! Remember your lines!! And perform for your audience!
I am not necessarily saying you have to do what Roberto Benigni did at the Oscars in ’99 (though that was pretty awesome.. and definitely memorable!), jumping up and down and shouting “I want to make love with all of you”, but I’m sure you could do better than just thanking your mom and your agent or your beautiful husband/wife.
That Bafta show last night was on the whole pretty lame, in my view, and the only real memorable speech was the one from Helena Bonham Carter (mainly because for some reason she was allowed to break the rule and to go on for a lot longer than she was allowed to).
In their defense, it must be said that nowadays there are too many Movie Awards around and, if you are Colin Firth, from the King’s Speech, you know you’re going to have speak more than once: so what do you do in that case? Do you give the same one over and over again, do you give your best earlier on (maybe at the Golden Globes), or do you hold out for the Oscars (because let’s face it, that’s the one that gets remembered).
I really hope Colin Firth opted for the latter as the one from last night was pretty forgettable… in fact I can’t even remember what he said.
It’s all probably part of a bigger discussion on whether we really need all these awards…
Warren Beatty was right on his acceptance speech in ’76 when he said “We want to thank all of you for watching us congratulate ourselves tonight”, because that’s essentially what they all do. C’mon guys, be a bit more creative!

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