FOR SAMA- Mini Review

for sama

FOR SAMA 10!!!

Directors: Waad Al-Kateab, Edward Watts. Cast:Waad Al-Kateab, Hamza Al-Khateab, Sama Al-Khateab

To review “For Sama” as if it was like any other film or documentary feels wrong. For a start it’s distasteful and disrespectful for the thousands of people who have suffered and are still suffering as a result of what’s happening in Syria (or many other places savaged by war), but also this is not like a normal documentary (even though there are skilful makers behind the scenes doing their best work: some beautiful shots, some perfectly judged music, some skilful decisions in the editing and so on).

Waad al-Kateab’s devastating personal account of the last few years in Aleppo set against the backdrop of a crumbling city, countless death and unimaginable horrors, had me completely floored like nothing before.
I don’t think I’ve ever cried so much during a film in my entire life.
In fact I have to confess I had to pause the film a few times and take a break from it (a luxury that its protagonists never had). This is as close to impossible to watch as it gets, and yet at the same time I am really happy I got to the end (I particularly love her take at the very end). This film should probably be compulsory viewing to everyone, especially those who complain about immigrants from Syria “stealing our jobs”.
These are people living a life where air strikes, mass funerals, people dying in front of your eyes, crumbling buildings and the soundtrack of gunfire right behind your wall are part of a daily routine.
But what makes “For Sama” a unique masterpiece are the moments of pure love, laughs and smiles in among the unspeakable sadness.
A scene in particular relating to a C-Section on a still born baby had me sobbing in convulsions, not for the reason you might expect, and it will stay with me for the rest of my life.
Al-Kateab films everything with both the unflinching eye of a journalist (in one heartbreaking scene she even gets confronted by a screaming mother who’s just lost her child: “why are you filming?!”) and at the same time with the heart, care and love of a mother who one day will have to explain all this to her daughter Sama… and of course to us.
The result is one not just the best documentaries of the year, but one of the most heartbreaking pieces of work I’ve ever seen (just watching the trailer below makes me weep again).

BAFTA AWARDS 2011

BAFTA AWARDS 2011 – RESULTS & COMMENTS

The BAFTA Awards for 2011 have just been given out. Once again it proved how biased these awards are towards British Films. The King’s Speech was the big winner of the evening (no surprise there), grabbing all sorts of awards (7 in all). Here’s the list of all the winners and some quick comments from me.

Best Film – The King’s Speech

Like it was predicted. I wonder if in a few years time we’ll be remembering this film, or Inception and Toy Story 3. Oh well, it was so predictable.

Leading Actor – Colin Firth – The King’s Speech

Well deserved I supposed, but my votes would have gone to James Franco, especially since Colin had won it last year.

Leading Actress – Natalie Portman – Black Swan

She was pretty amazing in that film, so totally deserved. And I am so happy that annoying  HAILEE STEINFELD didn’t get it for True Grit

Director – The Social Network – David Fincher

Well, I am happy it wasn’t Tom Hooper.. but it should have gone to Nolan for INCEPTION

Cinematography – True Grit – Roger Deakins

Totally deserved, though it was a hard choice, Matthew Libatique did a great job for BLACK SWAN and INCPETION (Wally Pfister) looked amazing!

Adapted Screenplay – The Social Network – Aaron Sorkin

Well, there was no other choice for this, was there? He should get an Award every year just for his West Wing!!

Orange Wednesdays Rising Star Award – Tom Hardy

Well deserved. He stole every scene in Inception and he’s going to be huge with the next Batman movie. Let’s face it ANDREW GARFIELD was Ok on the Social Network, but very transparent on Never Let Me Go

Animated Film – Toy Story 3

Well, of course. What else was there?

Original Screenplay – The King’s Speech – David Seidler

This was to be expected, but it’s a shame Inception couldn’t make it.I can see this might be one of those differences at the Oscars.

Supporting Actor – Geoffrey Rush – The King’s Speech

One of the most controversial win, not because Geoffrey Rush didn’t deserve it, but because we all thought it was going to go to Christian Bale. I guess it was probably a way to punish Bale for his recent behavior. Anyway, his Oscar is coming soon…

Outstanding British Film – The King’s Speech

All pretty predictable of course, however since it got the Best film, this award should have really gone to somebody else. Mike Leigh’s Another Year for example was left empty-handed.

Outstanding Debut by a British Writer, Director or Producer – Four Lions – Director/Writer – Chris Morris

This was also pretty predictable, but a lot of people though THE ARBRO  was a better film. My vote would have gone to EXIT THROUGH THE GIFT SHOP , a documentary which I really enjoyed, but also I would have loved to see Banksy collecting the award… hehehe.

Supporting Actress – Helena Bonham Carter – The King’s Speech

A bit of a travesty in my view. This performance was a real caricature and pretty one-dimensional. Brits love Helena, so it was all rather predictable. It’s a pity for LESLEY MANVILLE or ANY ADAMS

Special Visual Effects – Inception – Chris Corbould, Paul Franklin, Andrew Lockley, Peter Bebb

Well deserved.

Production Design – Inception – Guy Hendrix Dyas, Larry Dias, Doug Mowat

As Above

Costume Design – Alice in Wonderland – Colleen Atwood

A pretty obvious choice considering the nominees.

Film Not in the English Language – The Girl With the Dragon Tattoo – Søren Stærmose, Niels Arden Oplev

I don’t really get this. I never really understood the success of this film, especially in a year when you have films like THE SECRET IN THEIR EYES, and OF GODS AND MEN. However I’m happy BIUTIFUL didn’t get it, since it was the most depressing film of the year!

Make Up & Hair – Alice in Wonderland – Valli O’Reilly, Paul Gooch

Well, the only other choice was HARRY POTTER, but then again, they’re probably waiting for the next one.

Editing – The Social Network – Angus Wall, Kirk Baxter

Following the rule that the best editing is the invisible one, then this is probably a deserved award. However it should have gone to Lee Smith for INCEPTION

Sound – Inception – Richard King, Lora Hirschberg, Gary A Rizzo, Ed Novick

Well deserved, but the sound on 127 HOURS was truly amazing.

Original Music – The King’s Speech – Alexandre Desplat

It was the obvious choice, but INCEPTION‘s music by Hans Zimmer was almost revolutionary and it is still the most memorable.

Short Animation – The Eagleman Stag – Michael Please

Short Film – Until the River Runs Red – Paul Wright, Poss Kondeatis

After writing this list, I wrote to the Evening Standards the following email, an extract of which, once again, got published on the 15th of February. (It’s the second one they publish, the first  one was for Harry Potter)

After 63 years of BAFTA and 82 years of Oscars (and everything else in between), It must be really hard for these poor people to come up with an acceptance speech that is original, succinct, sharp, witty, but most importantly memorable.
Sam Leiht’s hit the nail right on the head: “better embarrassed than forgotten”. Last thing you want to do is to give a lousy speech: and yet there are still those who end up just making long list of boring names nobody knows anything about, or those who read from cue-cards!
For crying out-loud people: you’re actors!! Act! Remember your lines!! And perform for your audience!
I am not necessarily saying you have to do what Roberto Benigni did at the Oscars in ’99 (though that was pretty awesome.. and definitely memorable!), jumping up and down and shouting “I want to make love with all of you”, but I’m sure you could do better than just thanking your mom and your agent or your beautiful husband/wife.
That Bafta show last night was on the whole pretty lame, in my view, and the only real memorable speech was the one from Helena Bonham Carter (mainly because for some reason she was allowed to break the rule and to go on for a lot longer than she was allowed to).
In their defense, it must be said that nowadays there are too many Movie Awards around and, if you are Colin Firth, from the King’s Speech, you know you’re going to have speak more than once: so what do you do in that case? Do you give the same one over and over again, do you give your best earlier on (maybe at the Golden Globes), or do you hold out for the Oscars (because let’s face it, that’s the one that gets remembered).
I really hope Colin Firth opted for the latter as the one from last night was pretty forgettable… in fact I can’t even remember what he said.
It’s all probably part of a bigger discussion on whether we really need all these awards…
Warren Beatty was right on his acceptance speech in ’76 when he said “We want to thank all of you for watching us congratulate ourselves tonight”, because that’s essentially what they all do. C’mon guys, be a bit more creative!

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