Shortlisted BAFTA Short Films (Part 1)

The Birth Of Valerie Venus (⭐️)

Director: Sarah Clift. Cast: Jane GuernierPaul HunterMohd Aslam 

A rather frustrated, lonely and long suffering vicar’s wife suffers a little accident which cleaning a statue of the Virgin Mary as a result of that her had becomes “possessed” for lack of a better term and begins to have a life of its own, with strange and supposedly funny consequences. Well, I have to say, not only I did not laugh once (the timing of the comedy seems to be off most of the time and every single scene goes on for twice as long as it should), but also the filming of it seemed to be very student-like and quite pedestrian. Very disappointing.


Dad Was (⭐️⭐️⭐️⭐️⭐️)

Director: Barnaby Blackburn. Cast: Cameron Kerr, Seylan BaxterNicholas EllardPaul Ellard 

The story of young boy somewhere in Scotland who is to give a eulogy at his father’s funeral… It is a heartfelt, beautiful and gentle piece with an unexpected twist at the end which makes everything even more weighty. This is the best kind of short film I can think of: simple, direct and which will stay with you long after they’re over. The little 8 years old boy, Cameron Kerr is wonderful. The pain and grief clearly visible in his eyes and felt in his voice. Beautifully photographed too with its black & white sepia(ish) look matching the mood of the entire piece. You can watch it here.


Dọlápọ̀ Is Fine (⭐️⭐️)

Director: Ethosheia Hylton. Cast: Doyin AjiboyeLuke GasperJoan Iyiola 

A young Black woman facing pressure to change her name and natural hairstyle as she prepares to enter the working world after school. While this story might be very recognisable to many black girls and it’s certainly not something to laugh about, I found it very forced, full of stereotypes and rather clumsy. I appreciated the effort and some of the filming, but on the whole I found it rather weak. Gina McKee’s final cameo redeems it slightly, but not enough to make it worthwhile for me. On Netflix


Eyelash (⭐️⭐️⭐️)

Director: Jesse Lewis-Reece. Cast: Elijah W Harris, Ishtar Currie-Wilson, Frankie Stew

A powerful adaptation of spoken word poet Neil Hilborn’s poem ‘OCD’ (You really get the full scale of the achievement of this short film once you see the original material). The film turns the spoken words of this sad love story into pictures as if it was the most natural thing in the world. A simple but effective adaptation dealing with mental health and breakups. You can watch it here.


Tic Toc (⭐️⭐️⭐️⭐️)

Director: Mark Waters. Cast: Felix Sanderson, Mike Brompton, Joel Clark

Powerful and affecting short documentary about 16 years old Felix who has Tourette’s Disorder, a condition that affects his brain and nerves and causes him to make uncontrollable movements, tics, sounds and screamsThe film lets him take centre stage as he shares his story to try to break the stigma that his illness carries with it. “The worst feeling in the entire world is not being able to control it” Felix says at one point. There’s a disarming honesty about the piece as the camera gets really close to his handsome face as he confesses “people come to me and tell me “Shut the fuck up”…. He pause… smiles “I would if I could”… then his smile drops and in that moment of silence it’s as if a thousand words are said.“I just feel very pissed off, very agitated… I feel so much anger… but all I’m trying to do is to raise awareness… Because when they tell me to shut the fuck off, it makes my day 10 times worse than it already is. “Here’s the trailer

FOR SAMA- Mini Review

for sama

FOR SAMA

Directors: Waad Al-Kateab, Edward Watts. Cast:Waad Al-Kateab, Hamza Al-Khateab, Sama Al-Khateab

To review “For Sama” as if it was like any other film or documentary feels wrong. For a start it’s distasteful and disrespectful for the thousands of people who have suffered and are still suffering as a result of what’s happening in Syria (or many other places savaged by war), but also this is not like a normal documentary (even though there are skilful makers behind the scenes doing their best work: some beautiful shots, some perfectly judged music, some skilful decisions in the editing and so on).

Waad al-Kateab’s devastating personal account of the last few years in Aleppo set against the backdrop of a crumbling city, countless death and unimaginable horrors, had me completely floored like nothing before.
I don’t think I’ve ever cried so much during a film in my entire life.
In fact I have to confess I had to pause the film a few times and take a break from it (a luxury that its protagonists never had). This is as close to impossible to watch as it gets, and yet at the same time I am really happy I got to the end (I particularly love her take at the very end). This film should probably be compulsory viewing to everyone, especially those who complain about immigrants from Syria “stealing our jobs”.
These are people living a life where air strikes, mass funerals, people dying in front of your eyes, crumbling buildings and the soundtrack of gunfire right behind your wall are part of a daily routine.
But what makes “For Sama” a unique masterpiece are the moments of pure love, laughs and smiles in among the unspeakable sadness.
A scene in particular relating to a C-Section on a still born baby had me sobbing in convulsions, not for the reason you might expect, and it will stay with me for the rest of my life.
Al-Kateab films everything with both the unflinching eye of a journalist (in one heartbreaking scene she even gets confronted by a screaming mother who’s just lost her child: “why are you filming?!”) and at the same time with the heart, care and love of a mother who one day will have to explain all this to her daughter Sama… and of course to us.
The result is one not just the best documentaries of the year, but one of the most heartbreaking pieces of work I’ve ever seen (just watching the trailer below makes me weep again).

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