OSCAR Winners 2012

The Oscars played it very very very safe this year (well..  this year and every year in fact!): the biggest shock was probably the Girl with the Dragon Tattoo winning best Editing (quite unexpected, especially because the editors had won it last year with The Social Network). Hugo went home with most of the technical awards, best scripts awards given to Woody Allen and Alexander Payne and the big ones (film, director, actor) went to the Artist as expected… And the Artist for Best music too. Meryl graced our screen once again with her class and beauty and her oscar is one of the most deserved of the year. She is the embodiment of greatness! And finally, Spielberg got home with no award, however he got a big thanks from Octavia Spencer.

Check out my post of Oscar Snubs

Best Motion Picture of the Year

The Artist (2011): Thomas Langmann  (WINNER)

The Descendants (2011): Jim Burke, Alexander Payne, Jim Taylor

Extremely Loud and Incredibly Close (2011): Scott Rudin

The Help (2011): Brunson Green, Chris Columbus, Michael Barnathan

Hugo (2011/II): Graham King, Martin Scorsese

Midnight in Paris (2011): Letty Aronson, Stephen Tenenbaum

Moneyball (2011): Michael De Luca, Rachael Horovitz, Brad Pitt

The Tree of Life (2011): Nominees to be determined

War Horse (2011): Steven Spielberg, Kathleen Kennedy

Best Performance by an Actor in a Leading Role

Demián Bichir for A Better Life (2011)

George Clooney for The Descendants (2011) 

Jean Dujardin for The Artist (2011) (WINNER)

Gary Oldman for Tinker Tailor Soldier Spy (2011)

Brad Pitt for Moneyball (2011)

Best Performance by an Actress in a Leading Role

Glenn Close for Albert Nobbs (2011)

Viola Davis for The Help (2011)

Rooney Mara for The Girl with the Dragon Tattoo (2011)

Meryl Streep for The Iron Lady (2011) (WINNER)

Michelle Williams for My Week with Marilyn (2011)

Best Performance by an Actor in a Supporting Role

Kenneth Branagh for My Week with Marilyn (2011)

Jonah Hill for Moneyball (2011)

Nick Nolte for Warrior (2011)

Christopher Plummer for Beginners (2010) (WINNER)

Max von Sydow for Extremely Loud and Incredibly Close (2011)

Best Performance by an Actress in a Supporting Role

Bérénice Bejo for The Artist (2011)

Jessica Chastain for The Help (2011)

Melissa McCarthy for Bridesmaids (2011)

Janet McTeer for Albert Nobbs (2011)

Octavia Spencer for The Help (2011)  (WINNER)

Best Achievement in Directing

Woody Allen for Midnight in Paris (2011)

Michel Hazanavicius for The Artist (2011)  (WINNER)

Terrence Malick for The Tree of Life (2011)

Alexander Payne for The Descendants (2011)

Martin Scorsese for Hugo (2011/II)

Best Writing, Screenplay Written Directly for the Screen

The Artist (2011): Michel Hazanavicius

Bridesmaids (2011): Kristen Wiig, Annie Mumolo

Margin Call (2011): J.C. Chandor

Midnight in Paris (2011): Woody Allen  (WINNER)

A Separation (2011): Asghar Farhadi

Best Writing, Screenplay Based on Material Previously Produced or Published

The Descendants (2011): Alexander Payne, Nat Faxon, Jim Rash  (WINNER)

Hugo (2011/II): John Logan

The Ides of March (2011): George Clooney, Grant Heslov, Beau Willimon

Moneyball (2011): Steven Zaillian, Aaron Sorkin, Stan Chervin

Tinker Tailor Soldier Spy (2011): Bridget O’Connor, Peter Straughan

Best Animated Feature Film of the Year

A Cat in Paris (2010): Alain Gagnol, Jean-Loup Felicioli

Chico & Rita (2010): Fernando Trueba, Javier Mariscal

Kung Fu Panda 2 (2011): Jennifer Yuh

Puss in Boots (2011): Chris Miller

Rango (2011): Gore Verbinski  (WINNER)

Best Foreign Language Film of the Year

Bullhead (2011): Michael R. Roskam(Belgium)

Footnote (2011): Joseph Cedar(Israel)

In Darkness (2011): Agnieszka Holland(Poland)

Monsieur Lazhar (2011): Philippe Falardeau(Canada)

A Separation (2011): Asghar Farhadi(Iran)  (WINNER)

Best Achievement in Cinematography

The Artist (2011): Guillaume Schiffman

The Girl with the Dragon Tattoo (2011): Jeff Cronenweth

Hugo (2011/II): Robert Richardson  (WINNER)

The Tree of Life (2011): Emmanuel Lubezki

War Horse (2011): Janusz Kaminski

Best Achievement in Editing

The Artist (2011): Anne-Sophie Bion, Michel Hazanavicius

The Descendants (2011): Kevin Tent

The Girl with the Dragon Tattoo (2011): Angus Wall, Kirk Baxter   (WINNER)

Hugo (2011/II): Thelma Schoonmaker

Moneyball (2011): Christopher Tellefsen

Best Achievement in Art Direction

The Artist (2011): Laurence Bennett, Robert Gould

Harry Potter and the Deathly Hallows: Part 2 (2011): Stuart Craig, Stephenie McMillan

Hugo (2011/II): Dante Ferretti, Francesca Lo Schiavo  (WINNER)

Midnight in Paris (2011): Anne Seibel, Hélène Dubreuil

War Horse (2011): Rick Carter, Lee Sandales

Best Achievement in Costume Design

Anonymous (2011/I): Lisy Christl

The Artist (2011): Mark Bridges

Hugo (2011/II): Sandy Powell  (WINNER)

Jane Eyre (2011): Michael O’Connor

W.E. (2011): Arianne Phillips

Best Achievement in Makeup

Albert Nobbs (2011): Martial Corneville, Lynn Johnson, Matthew W. Mungle

Harry Potter and the Deathly Hallows: Part 2 (2011): Nick Dudman, Amanda Knight, Lisa Tomblin

The Iron Lady (2011): Mark Coulier, J. Roy Helland   (WINNER)

Best Achievement in Music Written for Motion Pictures, Original Score

The Adventures of Tintin (2011): John Williams

The Artist (2011): Ludovic Bource   (WINNER)

Hugo (2011/II): Howard Shore

Tinker Tailor Soldier Spy (2011): Alberto Iglesias

War Horse (2011): John Williams

Best Achievement in Music Written for Motion Pictures, Original Song

The Muppets (2011): Bret McKenzie(“Man or Muppet”)   (WINNER)

Rio (2011): Sergio Mendes, Carlinhos Brown, Siedah Garrett(“Real in Rio”)

Best Achievement in Sound Mixing

The Girl with the Dragon Tattoo (2011): David Parker, Michael Semanick, Ren Klyce, Bo Persson

Hugo (2011/II): Tom Fleischman, John Midgley  (WINNER)

Moneyball (2011): Deb Adair, Ron Bochar, David Giammarco, Ed Novick

Transformers: Dark of the Moon (2011): Greg P. Russell, Gary Summers, Jeffrey J. Haboush, Peter J. Devlin

War Horse (2011): Gary Rydstrom, Andy Nelson, Tom Johnson, Stuart Wilson

Best Achievement in Sound Editing

Drive (2011): Lon Bender, Victor Ray Ennis

The Girl with the Dragon Tattoo (2011): Ren Klyce

Hugo (2011/II): Philip Stockton, Eugene Gearty   (WINNER)

Transformers: Dark of the Moon (2011): Ethan Van der Ryn, Erik Aadahl
War Horse (2011): Richard Hymns, Gary Rydstrom

Best Achievement in Visual Effects

Harry Potter and the Deathly Hallows: Part 2 (2011): Tim Burke, David Vickery, Greg Butler, John Richardson

Hugo (2011/II): Robert Legato, Joss Williams, Ben Grossmann, Alex Henning  (WINNER)

Real Steel (2011): Erik Nash, John Rosengrant, Danny Gordon Taylor, Swen Gillberg

Rise of the Planet of the Apes (2011): Joe Letteri, Dan Lemmon, R. Christopher White, Daniel Barrett

Transformers: Dark of the Moon (2011): Scott Farrar, Scott Benza, Matthew E. Butler, John Frazier

Best Documentary, Features

Hell and Back Again (2011): Danfung Dennis, Mike Lerner

If a Tree Falls: A Story of the Earth Liberation Front (2011): Marshall Curry, Sam Cullman

Paradise Lost 3: Purgatory (2011): Joe Berlinger, Bruce Sinofsky

Pina (2011): Wim Wenders, Gian-Piero Ringel

Undefeated (2011): Daniel Lindsay, T.J. Martin, Rich Middlemas  (WINNER)

Best Documentary, Short Subjects

The Barber of Birmingham: Foot Soldier of the Civil Rights Movement (2011): Robin Fryday, Gail Dolgin God Is the Bigger Elvis: Rebecca Cammisa,
Julie Anderson

Incident in New Baghdad (2011): James Spione

Saving Face (2011/II): Daniel Junge, Sharmeen Obaid- Chinoy   (WINNER)

The Tsunami and the Cherry Blossom (2011): Lucy Walker, Kira Carstensen

Best Short Film, Animated

Dimanche (2011): Patrick Doyon

The Fantastic Flying Books of Mr. Morris Lessmore (2011): William Joyce, Brandon Oldenburg  (WINNER)

La Luna (2011): Enrico Casarosa

A Morning Stroll (2011): Grant Orchard, Sue Goffe

Wild Life (2011): Amanda Forbis, Wendy Tilby

Best Short Film, Live Action

Pentecost (2011): Peter McDonald

Raju (2011): Max Zähle, Stefan Gieren

The Shore: Terry George, Oorlagh George   (WINNER)

Time Freak (2011): Andrew Bowler, Gigi Causey Tuba

Atlantic (2010): Hallvar Witzø

The Artist – Review

The Artist (2011) 

Directed by Michel Hazanavicius. Starring Jean DujardinBérénice BejoJohn GoodmanJames CromwellMalcolm McDowell

In a way “The Artits” is a real love letter to silent movies from the 20s and 30s and to cinema in general. Clearly French producer/director/writer/editor Michel Hazanavicius knows his background in silent films and he understand them well enough to be able to pull off not just something that it’s incredibly reverential to that time and that type of film-making but at the same time clever enough to be appreciated by a modern audience and critics alike.

Hazanavicius seems to have a real understanding of the visual medium and knows how to tell a simple and honest story without relying on cheap special effects or heavy exposition. This is a real return to basics. They say “they don’t make them like they used to anymore”. Well, in this case, it seems that somebody actually has just made it exactly like they used to.

There’s a naive sensibility throughout “The Artist” that’s both charming and slightly infectious and it’s hard not to fall for it.

There are moments of inspired genius at play too: the very first moment we realise that it is actually a silent film we are watching, and so we have to read the expression in the character’s face as opposed to listening to an applause from the audience in a cinema in order to understand the response to a film that’s just being screened. It is a slight shock at first, but it’s also very clever . There’s a wonderful dream sequence with that unexpected twist with a glass (You’ll know what I mean when you see it) and some genuinely sweet moments peppered throughout the film.

And of course all those movie references and in-jokes  everywhere that only a real movie geek can spot. Some of them are more obvious than others, starting from the main character’s name Valentin, which is obviously a reference to silent movie star Valentino and his actual look which clearly reminds us of  Fairbanks from the The Mark of Zorro (incidentally he is also shown watching extracts from it later in the film).

However while I understand and applause the film for its understanding and knowledge of the 20s and early 30s, for some reason I don’t quite feel the same way about all those other “references” from pretty much all sorts of decades. The story itself for example takes from both of Singing in the rain (about a silent movie star struggling with the advent of talkies) to the  and A star is Born (about a movie star in decline), but there are echoes to those classic noir films from the 40s, from Citizen Kane itself (I’m referring to the breakfast montage sequence  transported to the “Artist” to achieve the exact same effect) and classic from 50s from directors like  Fritz Lang, Billy Wilder, Alfred Hitchcock. Not to mention all those typical stock characters seen hundred of times in other movies (even the dog itself is lifted from the Thin Man).

It does make me wonder… When is an idea considered “non original” and when it’s a clever reference or an in-joke?

If this is a film about the silent era and the time between the 20s and 30s, why is it then referencing so many other later films? What is the point of using the soundtrack from Vertigo (a film made in 1958!!) for one of the final scenes? (In fact there’s been a controversy about this particular issue about the soundtrack of Vertigo).

I have to be honest with you, event though I know I might be very unpopular (everybody seems to love this film and it’s most likely going to be the big winner at the Oscar next February), and it’s maybe because I am so familiar with all the movies that came before and that “the Artist” is “borrowing” from , but once the novelty wore off, I found that the actual story itself quite simplistic and slightly unoriginal. And most important, did it really deserve to be 1 hour and 40 minutes long?

It all works the way you expect it to work, each character is exactly like you imagine they will be, and the ending is exactly like the poster advertises it to be. In the end I couldn’t help feeling that the “mute thing” was all just a big gimmick. And if  we take that out the film, what are we left with? Actually very little indeed. A story we’ve seen a hundred times, predictable at best, with some slapstick humour not particularly funny (yes, amusing a couple of times, but not more than that), some cute moments (the many takes during the filming of the dance sequence being possibly the best), but not that moving or tragic and finally a dog doing the same pretending-to-be-dead joke 9 times (My friend Alec counted them, so I blame him if it’s not actually 9, but you get my point).

So while I admire its technique, its knowledge and those few clever and inspired moments, I couldn’t help feeling that there was not enough to fill a whole 100-minutes film (In fact if it wanted to pay a real tribute to the silent era of film-making it should have been a lot shorter like all those movies were).

Is this really the best film of the year? Does it really deserve to be the Oscar winner of 2012? Will it really sustain many repeated viewings like all those classics it’s constantly borrowing from. I guess only time will tell but I thought it actually had very little to tell.

6.5/10

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