Men In Black 3 – Review

Men In Black III (AKA: MIB3) (2012) 

Directed by Barry Sonnenfeld. Starring Will SmithTommy Lee JonesJosh BrolinJemaine ClementEmma Thompson.

10 years after the disappointing Man in Black 2, and 15 years after the first original one (which, needless to say,was the best by a very long stretch), raise your hands if you really felt the need for yet another sequel… Anyone? … Please, anyone? ANYONE?!

These days Hollywood’s willingness for getting new ideas out there, or at least ones which are not based on comics, or at least are not sequels or remakes, is becoming increasingly rare! But then again, this a whole other subject which I’ve tackled again and again (you can check my post about it here) and I bore even myself talking about it. So granted that nobody really wanted this film, I am happy to be on record saying that MIB3 is actually rather watchable (yet fairly forgettable).

The film starts off looking pretty tired as if trying to resuscitate from that previously dead sequel. It is permeated by a sense of Déjà vu and only relies on that already-proven chemistry between the two original leads and especially Will Smith whose charm and likeability doesn’t seem to have faded in the last 13 years (in fact he looks exactly the same: God, what’s his secret?!). Even his co-star Tommy Lee Jones once said in an interview “All I need to do to be funny is stand as close as possible to Will”. So true.

The film finally gets into the right gear and stops limping once we travel back in the 60s. The reason for the time travel is very reminiscent of the plot from the underrated Back to the Future – part 2: Will Smith has to travel back in time to prevent the baddie from the future to meet his own self from the past and thus change erm… the future. It all sounds very complicated but, unlike the mind-screwing BTTF2, this is all pretty straight forward (and it fact with plot holes all over the places) and at the end of the day it’s just a device so that we they can probably avoid paying Tommy Lee Jones a full-fee, but also it allows Josh Brolin to have the time of his life, acting as the young K (Tommy Lee Jones‘s character).And for once the sense of fun that the makers must have felt behind the scenes manages to transpire onto our screens too. The similarity between the two is indeed uncanny and amazingly the joke sustains itself for pretty much the entire length of the film. I’m sure in years to come, Josh Brolin aping Tommy Lee Jones will be the only thing people will remember from this otherwise forgettable MIB3.

Don’t take me wrong, there’s a lot to enjoy here: some of the action set-pieces, Emma Thompson‘s (sadly too) brief appearance, the deliciously nasty, and rather gross turn by Jemaine Clement as Boris the Animal, the villain of the piece, and the usual special effects extravaganza, which is now almost taken for granted in this types of movies. There is nothing really as cringe-inducing as in the previous sequel, but sadly most of that spark of fresh humour from the original seems have been replaced by an unexpected sentimentality, which is sweet enough and I suppose it’s probably befitting a Steven Spielberg production, but it’s not really what we want from a Man in Black film.

They got away with it this time, but they should really put this trilogy to bed and start something new.

6.0/10

Captain America – Review

Captain America: The First Avenger (2011) 

Directed by Joe Johnston. With Chris Evans, Hayley AtwellTommy Lee JonesHugo WeavingStanley TucciToby Jones

My son, like many children of his age (he’ll be 10 in September) is a superhero fanatic; no surprise there. Up until very recently, we’ve somehow managed to keep him away from most of the films (with the sole exception of “Spiderman”) as I believed some of them are a little bit too strong for very young kids. But the time has now come to succumb to his will. Recently we started watching Iron man and when tonight’s choice for our weekly “movie night with family” fell on him, he chose this film.

I had seen it once when it was first release in a time when superhero movies were still a relatively new thing, though even then people were beginning to talk about the market being slightly saturated with the comic book genre (little did we know…).

The film-makers were obviously well aware of the cynicism towards anything which seemed to over-emphasise that All-American gun-ho/patriotic spirit, especially in a post-9/11, post-Bush post-economic-crisis era where a certain anti-American feeling was starting to spread across the pond. A misstep too far in bringing this latest superhero to the screen might have not only jeopardize their international box office takings, but also (and more important) their long-awaited “Avengers” (due to be released a year later, as the post-credit sequence reminded everyone) of which “Captain America” was the last missing link.

And so what they cleverly decided to do, was to to stay true to the origins of the hero and keep the story rooted in 1940s, at the height of World War II. By making this a period film, they were able to get away with a lot more than if they had set the story in our modern world right from the start: the old-fashion moral decency of the characters feels more appropriate when set in the 40s and so does the Patriotism which is clearly innate with this type of superhero, who’s essentially wearing an American flag.

Once again the film-makers in trying to have their cake and eat it, even poke fun at that jingoistic sensibility fun as they have Captain America performing in front of live audiences around country to rally soldiers and boost morale, looking more like a clown than actually a real superhero.

In fact it’s surprisingly how well “Captain America” works especially in the first half.

The period feel is perfectly recreated through the sepia tones of the cinematography, the muted colours of the costumes. It’s reminiscent of another superhero film from 1991,”the Rocketeer”, which interestingly was made by the same director, Joe Johnston.

But it’s not just the look, overall the type of film-making used here, also seems to arc back to the way good action films used to be made, before a certain Jerry Bruckheimer and Michael Bay decided that it was all going to be about one-liners, big explosion, idiotic plot-lines, fast editing (possibly to disguise the fact that they were all pretty bad) and sexual sensibility (those Transformers film, just to mention the worst offenders).

It’s a film as much about humanity and characters than it is about big set-pieces and visual effects, because in the end, action and explosions work a lot better when we really care about the people involved.

Yes, of course, it’s all preposterous and plainly silly, but so is a radioactive spider, a man who flies in tights, a Viking looking guy with a giant hammer, and the idea that a tiny mask that only covers your eyes can make you un-recognisable to your friends. We are talking about Superheroes after all!! But as long as you can suspend your disbelief, cast aside any cynicism, you’ll definitely enjoy this one.

To help it all there’s a splendid array of supporting actors too,  from Stanley Tucci, Toby Jones, Tommy Lee-Jones and even an-over-the-top Hugo Weaver who’s clearly having a lot of fun in this film, putting on a fabulous (and close-to-parody) German accent!.

And of course Chris Evans in the titular role, who embodies not just the physicality of a superhero but also enough charisma, warmth and even dignity to make him extremely likeable and make us actually care for him.

The fact that in the first 40 minutes we get to know him as a frail and skinny young men makes him even more sympathetic.

The special effects to achieve that transformation are truly astonishing, even 11 years later. The CGI in a later train sequence were less satisfying, but certainly not distracting.

Ironically for an action film, the actual action scenes were generally rather modest, though all competently made.

The film does run slightly out of steam in the last part and it becomes a little bit more generic and less interesting, but as far as popcorn movies go, this is was lot better than one might have expected expect (especially considering the blandness of the original character from the comics) and more enjoyable than most of the stuff that Hollywood tends to regurgitate during the summer season… and in my humble opinion, better than some of the over the top and much-too-messy latest output from Marvel.

7.0/10

OTHER REVIEWS: 

thor

Green Lantern 

Tron: Legacy

The Avengers

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