The 69th Annual Golden Globe Awards

Here are the results for the 69th Golden Globes, which is usually a pretty good indicator for the Oscars (and yes, just as predictable). No big surprises aside from Martin Scorsese getting an award for his directing in HUGO…

The Artist got away with its award for best comedy, Meryl Streep and Clooney won for their performances in a drama (both very well deserved) and Steven Spielberg went home with an award for Tintin.

Aside from that, the evening was pretty restrained: no big tears, no big shocks… and sadly no big insults from Ricky Gervais (this time it felt he was really holding back). However funnily enough the best moment had nothing to with any of nominees below, but was the pleasure of seeing a montage of films with Morgan Freeman for the Cecil B DeMille Award.

Underneath you can read all the nominees, the winners and some of my (silly) comments too.

Best Motion Picture – Drama

WINNER: The Descendants (2011)  

The Help (2011)

Hugo (2011/II)

Moneyball (2011)

War Horse (2011)

I am really happy to see this little film getting this award. I’ve always liked it since I first saw it .

Best Motion Picture – Musical or Comedy

WINNER: The Artist (2011)

Bridesmaids (2011)

50/50 (2011)

My Week with Marilyn (2011)

Well of course… It had to win. Everybody loves it even though there are a lot of better films out there.

Best Performance by an Actor in a Motion Picture – Drama

WINNER: George Clooney for The Descendants (2011)

Leonardo DiCaprio for J. Edgar (2011)

Michael Fassbender for Shame (2011)

Brad Pitt for Moneyball (2011)

Clooney truly deserved this award. His performance in the Descendants is possibly his best performance ever.

Best Performance by an Actress in a Motion Picture – Drama

Glenn Close for Albert Nobbs (2011)

Viola Davis for The Help (2011)

WINNER: Meryl Streep for The Iron Lady (2011)

Tilda Swinton for We Need to Talk About Kevin (2011)

She had to win. She’s still the best living actress around. A legend! She’s got class to sell (in her speech she thanked all actresses who have not been nominated!). I just wondered: how dare they play music over her to push her off the stage?

Best Performance by an Actor in a Motion Picture – Musical or Comedy

WINNER: Jean Dujardin for The Artist (2011)

Brendan Gleeson for The Guard (2011)

Joseph Gordon-Levitt for 50/50 (2011)

Owen Wilson for Midnight in Paris (2011)

I was really hoping for Ryan Gosling or Joseph Gordon-Levitt, but let’s face it, it was never going to happen. Jean Dujardin gave a lovely speech with a nice “silent” touch at the end.

Best Performance by an Actress in a Motion Picture – Musical or Comedy

Jodie Foster for Carnage (2011)

WINNER: Michelle Williams for My Week with Marilyn (2011)

Kate Winslet for Carnage (2011)

This was to be expected. It’s going to be between her and Meryl Streep at the Oscars (who probably deserves it more thought). Her speech was heartfelt and lovely.

Best Performance by an Actor in a Supporting Role in a Motion Picture

Nominees:

Albert Brooks for Drive (2011)

Jonah Hill for Moneyball (2011)

WINNER : Christopher Plummer for Beginners (2010)

I did say it at the time. This one of the best performances of the year. TOTALLY deserved! I am so happy 

Best Performance by an Actress in a Supporting Role in a Motion Picture

Bérénice Bejo for The Artist (2011)

Jessica Chastain for The Help (2011)

Janet McTeer for Albert Nobbs (2011)

WINNER: Octavia Spencer for The Help (2011)

Shailene Woodley for The Descendants (2011)

She really deserved it… Though i must confess I did actually fall in love with Shailene in The Descendant. 

Best Director – Motion Picture

WINNER: Martin Scorsese for Hugo (2011/II)

A night where both Scorsese and Spielberg win a Golden Globe can only be a good night in my opinion, however if you asked me Alexander Payne deserved this.

Best Screenplay – Motion Picture

WINNER: Midnight in Paris (2011): Woody Allen

Moneyball (2011): Steven ZaillianAaron SorkinStan Chervin

Not so sure it deserved it, especially against Sorkin, Payne and Clooney… But maybe it got it because the voted split among all the others.

Best Original Song – Motion Picture

Albert Nobbs (2011): Brian ByrneGlenn Close(“Lay Your Head Down”)

Gnomeo & Juliet (2011): Elton JohnBernie Taupin(“Hello Hello”)

The Help (2011): Mary J. BligeThomas NewmanHarvey Mason Jr.Damon Thomas(“The Living Proof”)

Machine Gun Preacher (2011): Chris Cornell(“The Keeper”)

WINNER: W.E. (2011): Madonna, Julie Frost, Jimmy Harry(“Masterpiece”)

It was quite funny to hear her acceptance speech. It sounded as if she was expecting the award for her direction for the film… Madonna, it’s just the song. Get that statuette and go home!!

Best Original Score – Motion Picture

WINNER: The Artist (2011): Ludovic Bource

Hugo (2011/II): Howard Shore

W.E. (2011): Abel Korzeniowski

It was to be expected since the whole film relies on the soundtrack and nothing else… But I really thought John Williams’s score was beautiful.

Best Animated Film

Cars 2 (2011)

Puss in Boots (2011)

Rango (2011)

Isn’t great to see Spielberg accepting an award again… (and for a cartoon!!).

Best Foreign Language Film

The Flowers of War (2011)(China)

The Kid with a Bike (2011)(Belgium)

WINNER: A Separation (2011)(Iran)

The Skin I Live In (2011)(Spain)

Best Television Series – Drama

“Boss” (2011)

WINNER: “Homeland” (2011)

Everybody has been telling me for months to watch this series. It look like I am going to have to catch up soon

Best Television Series – Musical or Comedy

“Episodes” (2011)

“Glee” (2009)

WINNER: “Modern Family” (2009)

“New Girl” (2011)

I love this show and the acceptance speech was just as wild as the show itself.

Best Mini-Series or Motion Picture Made for Television

Cinema Verite (2011) (TV)

WINNER “Downton Abbey” (2010)

“The Hour” (2011)

Too Big to Fail (2011) (TV)

Mildred Pierce was fantastic, but everybody seems to love the Brits of Downton Abbey these days.

Best Performance by an Actor in a Television Series – Drama

Best Performance by an Actress in a Television Series – Drama

WINNER: Claire Danes for “Homeland” (2011)

Callie Thorne for “Necessary Roughness” (2011)

Claire Danes is always a winner on TV. This is her 3rd win. And now I have another reason to watch Homeland.

Best Performance by an Actor in a Television Series – Musical or Comedy

Best Performance by an Actress in a Television Series – Musical or Comedy

Best Performance by an Actor in a Mini-Series or a Motion Picture Made for Television

WINNER: Idris Elba for “Luther” (2010)

William Hurt for Too Big to Fail (2011) (TV)

Bill Nighy for Page Eight (2011) (TV)

Best Performance by an Actress in a Mini-Series or a Motion Picture Made for Television

Best Performance by an Actor in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television

WINNER: Peter Dinklage for “Game of Thrones” (2011)

Paul Giamatti for Too Big to Fail (2011) (TV)

Tim Robbins for Cinema Verite (2011) (TV)

Eric Stonestreet for “Modern Family” (2009)

A mini-actor for a miniseries… hehehe… sorry, that was a bit cheap.

Best Performance by an Actress in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television

Evan Rachel Wood for “Mildred Pierce” (2011)

Pity for Maggie… She hasn’t got many award season left…

War Horse – Review

War Horse (2011) 

Directed by Steven Spielberg. Starring Jeremy IrvineEmily Watson, Niels ArestrupPeter MullanDavid ThewlisBenedict CumberbatchCeline Buckens.

CONTAINS SOME SPOILERS

War Horse has probably some of the best Spielberg we’ve seen in a while, but unfortunately it has some of the worse too. The result is a strange hybrid of a film that at times showcases true mastery in Film-making (some real craftmanship that very few directors have these days) but other times falls flat (and almost into self parody) with some incredibly misjudged moments and, worst crime of all, (especially for a Spielberg’s film) is actually devoid of any real emotional drive: each set piece works as an individual piece in itself, but as a whole film “War Horse” lacks a certain narrative unity which in the end prevents one for getting completely swept away despite the glorious score by John Williams.

I was ready to let myself go on this one: on paper this is the ultimate weepy! But strangely while I was left admiring the nicely composed frames and the beautiful cinematography, I found myself emotionally detached from the actual story. Whatever happened to that great manipulator of emotions that still makes me cry every time I watch ET? Why was I so underwhelmed and not reduced to tears as I should have been?

Spielberg films his horses just like he would film a human being: close-ups, tracking shots and all sorts of filmic tricks bring them alive as their faces turn to camera and their eyes reflect the light from yet another great vista. He’s so good at making us see what the horses are actually feeling at any point in the film, that he almost forgets to make us care for the actual human beings the populate the rest of the film.

Human characters come and go in this film like bell boys in a hotel and yet few of them really leave any mark. Rarely you really feel sorry for these people when they die (crucially some of them die off camera too!), maybe because they’re so many of them, or maybe because most of these are slightly two-dimensional or maybe because there isn’t enough time to get close to them (However look at  Pixar’s “Up”: we were all crying during that 5 minutes montage scene!). Let’s face it, the real star of the film is the horse and that’s it. We don’t really care about the humans…

I’ll give you an example: At the end of the film (watch out… spoiler ahead) there’s a big reunion moment between our hero, Joey, (and his horse) and his family. It’s supposed to be a bit climatic moment, as the music swells and the cinematography pays tribute to Gone with the Wind itself. The old parents are finally able to hug their son who’s just returned from war. Potentially this is a heartbreaking moment unravelling under our eyes and yet I was coldly thinking to myself: “Oh… I didn’t realise the parents were actually worried and waiting for him… because I’ve never actually seen them being worried while the kid was away. In fact I don’t think I ever even seen the kid being in difficulty during the war. Was he suffering? Was he missing his parents? All he seemed to care about was the horse, and that one seems fine to me”. How could that be the big climatic moment of the film, if I wasn’t really prepared for it by anything I’ve seen so far.

And what about all those people dying? Was I meant to feel something for them? I really didn’t, because I was only given the point of view of the horse. It looked like I was only meant to care about the horse.

Are we all basically just supposed to feel sorry for people dying, simply because they just… erm… die, even if the film hasn’t really made care about them?

The beginning of the film is probably the worst part. It’s a very lengthy first act, which despite continuous nods to Spielberg’s intellectual mentors like John Ford (just to mention one) feels cheap, corny, cheesy, slow and just dated in the worse possible sense. Spielberg may call it old-style film-making, but those words actually disguise some pretty bad and indulgent sequences, with some caricature acting that makes it all look more like a bad episode of “The Little House in the Prairie” than “How Green Was My Valley”.

Especially considering what’s coming later on, this first part feels like a totally different film. It is all plastered with a constant unsubtle soundtrack, without a single moment of silence, that tells us what we are supposed to think at each given point. Worst of all are the more comical-moments in this first part, which are really unfunny and yet the music make them sound almost as if they belonged to a Lauren & Hardy film.

But just when you think this is getting so predictable and really beyond bad, finally war breaks and the film becomes something completely different, and actually quite good one.

This is the best Spielberg of the best moments Saving Private Ryan (and to a degree the one behind the scenes of both Band of Brothers and the Pacific). There are hints of his genius popping up every few minutes

There are some absolutely beautifully and impeccably crafted and choreographed sequences: some thrilling battle scenes, some great memorable moments (a massive crane reveals the aftermath of a battle and shows us that the casualty of war are not just humans. An execution sequence, seen through a windmill chilling in its beautifully timed production), there are some breathtakingly locations, some wonderful cinematography, and of course a heartfelt score by John Williams (more successful here where it has more time to breathe than it did in Tintin.

One of the most beautiful scene which obviously everyone will remember is when our horse gets trapped in big cluster of barbed wire (amazing special effects by the way. Surely that must have been some CGI work, though I couldn’t quite tell how it was done) and then is saved by two soldiers from two opposite armies: it’s an almost poetic moment which gets away from being panned as a cheap trick and manages to be funny, sad, poignant and tense all at the same time.

There are some great new characters too peppered throughout and there will be moments to leave anyone speechless for their powerful honesty and epic scope.

But unfortunately, despite all these elements and all these little stories, the overall arching narrative  still feels bitty and choppy and even though what’s actually happening under our eyes is so powerful that we could almost forgive anything, the ultimate emotional journey of the main human character, Joey, is not as strong or compelling as the sum of all the other parts and eventually I couldn’t quite connect to him.

What we are left with is a very uneven film which wants to reach everyone (never the terms “a film for the whole family” has been more appropriate and I’m sure everyone will enjoy if not love parts of it) and yet I can’t quite help feeling that if it hadn’t tried so hard to please everyone it probably would have been a stronger film. There were moments I loved and moments I really hated, and if my rating may seem a bit high is probably because after 3 weeks since i saw the film, those great moments in it are still imprinted in my mind.

7/10

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