Super 8 – Review

Super 8 (2011)  

Director/Writer: J.J. Abrams Stars: Elle FanningAmanda MichalkKyle ChandlerRiley GriffithsGabriel Basso

To say that I couldn’t wait to see this movie is an understatement: ever since the trailer was released a few months ago “Super 8” smelled like the best Spielberg with whom I’ve been growing up during my childhood: it looked like a mixture of E.T, The Goonies, Poltergeist, Gremlins and all those Spielberg classics from the early 80s I used to love, but also it had something from Stand by Me, or It (a terrible movie but a great book).

All the elements seemed to be there: the teens friends, the suburban environment, the secrets “grown-ups” are not supposed to know about, the bicycles, the fat kid, the bad US army, the single parents, even the same time period (1979) and the same style of cinematography (night-time flares on the lens) and big soundtrack (a rousing score, mixed in with gentle and intimate piano cues).

But are all those elements enough to reach the perfection of films like E.T.- The Extra-Terrestrial? If you were cooking from a recipes book and you had all the right ingredients, would you still get it the cake right? You can easily guess the answer.

J.J. Abrams is certainly a talented man. His TV credentials are some of the most solid ones of the last decade (Alias, Lost, Fringe), his Mission: Impossible III brought some credibility back to the franchise (and some pretty amazing action sequences), his Star Trek was not only very reverent to the original but also engaging enough for the newbie injecting some new energy on a series which was on the verge to becoming just about OK for the Trekkies out there.

Unfortunately with “Super 8” that energy seems to have faded away a little. Despite all the good intentions and this being a sort of love letter to the Spielberg he too admired, J.J. hasn’t been able to replicate that sense of wonder and discovery, nor the exciting action and edge-of-the-seat thrills of those early classics. There are some really good scenes in the first act between all the kids (and some very good acting!) but after a while it all felt too much by-the-book and gave us nothing new or unexpected.

It’s as if everything was a bit too calculated and clinical, even its sincerity and honesty and its well-observed sense of nostalgia (not just for the era, but for a certain kind of film-making) was not enough and never really went beyond the ovbious clichés you would expect from this sort of story. The kids did everything they were supposed to, the army was bad as you would expect and it all worked as a well-oiled-machine.

Even its film-making style, though handsomely made,  wanted to ape those 80s classics so much that it in the end it forgot to give us the kind of magic  those films were really great at: in the end I can’t quite point out a single memorable “cinematic” imagery or moment out of “super 8” (there was definitely no bike flying over the moon, nor mash potatoes shaped like a mountain but not even some classic line like “they’re here….!”).

There was really nothing massively wrong with Super 8 (the film is well done, well acted, is even under two hours and I’m sure it will please most of the crowds out there), but sadly there was also nothing original or surprising either: even the big monster, so much teased throughout the whole movie, once it’s finally revealed cannot be anything else but disappointing. But most crucially the film seemed to lack that humour films like Stand by me or even the Goonies had.

Maybe my expectations were too high, but from a duo like Abrams and Spielberg I wanted something a bit more than just a half life-less homage.

Once again, I’m not saying that “Super 8” is bad (in fact I wish all the summer blockbusters were as honest, pure and simple like this one: thankfully this was a film that cared about its characters more than just explosions and one-liners!!), but despite loving its intentions and its heart, and its style, I couldn’t quite love it as a film… Or maybe I just wanted to like it too much…

6.5/10

If you liked this, you might be interested in reading about my review of STAND BY ME or my post A REAL MOVIEGEEK or a TIRED OLD CINIC

Insidious – Review

Insidious (2010) 

Directed by James Wan. Starring Patrick WilsonRose ByrneTy Simpkins

I’m going to be quite upfront in reviewing this film: the plot is preposterous, it has virtually no original ideas, it is a derivative from all sorts of films we’ve seen before, the end is ludicrous, and yet it scared the living daylight out of me, like very few films have managed to do in the last few years. Just for this reason I would recommend it to every horror/thriller fan out there. It is one of the most skilfully made horror I’ve seen in quite a while.

Director James Wan certainly knows how to create the most tense atmosphere out of a simple scene where a person is walking along a corridor. His mastery in the use of sound, in the use of music (or better, when to use music and when silence is a lot more powerful), the positioning of the camera is to be admired.

Wan clearly knows that the anticipation to an event could be a lot more powerful than the event itself. He knows that the fear of seeing the devil can be a lot scarier than the moment when the devil actually reveals himself.

There are some incredibly tense sequences (a particularly creepy one involving a baby monitor) throughout the whole first part of the film. There’s a constant sense of dread as the camera moves around the empty rooms of the house and when the scares come, they really make you jump, however expected some of them might be.

A lot of time is spent in building some believable characters and making the audience care about them (credits due to both Patrick Wilson and Rose Byrne too of course) and it’s good to see the “usual sceptic” changing his mind and actually believing the supernatural.

The film looses a little bit of its edge and its eerie atmosphere once the supernatural get officially introduced, and yet even the reveal of the Devil (which is usually quite a let-down in any other horror films like this one) still manages to be incredibly unsettling. Since the script is a bit obvious and a photocopy of films like Poltergeist (including the Ghostbusters team and the not-so-reveal of the fact that it’s not a haunted house, but a possessed child), and of course the Exorcist, I can only deduce that it’s the direction of Insidious that really makes it work.

Of course, once the film is over and the lights are on, it’ll take you 2 seconds to realize that it was all pretty silly and it’s going to be a lot easier to dismiss it as junk (really scary horror films should really stay with you long after they finish), but while you’re in it I’m sure you’ll be as frighten as a little boy who hears a suspicious noise coming out of his closet at night…

6.5

%d bloggers like this: