A real moviegeek or a tired old cynic?

Some of you have pointed out that in the last few months it seems like I was disappointed by most of the stuff I saw in the cinema.

This came just at the time when I was about to choose which film to review next, of the ones I’ve seen in the last couple of days: “The Roommate” (A thriller, which is usually a genre I love), “the extraordinary adventures of Adele Blanc-Sec” (By Luc Besson who made La Femme Nikita and leon, 2 of my favourites ever!), or “Hachi” (By the director of one of the film I love the most, What’s eating Gilbert Grape)… And you know what?! I really didn’t like any of them!

It made me think: when did I become such a cynic?

It is so unlike me… I’ve always been the positive one, the smiley person who tries to look for bright side…

I love going to the movies and there’s nothing I cherish more than loosing myself in a good flick.

Whenever I go and watch something, I’m always hoping this might be the one that makes me go back to being a kid, or makes me cry or laugh with tears in my eyes, or forget about my deadlines at work and my worries at home…

The fact that I have not liked a lot films recently is probably indicative of the way cinema is today. Most of these films are just products”: they are made by a committee of advertisers, or people who need to balance their books at the end of the year.

There are very few mavericks, or real storytellers out there… Most of them prefer to play it safe and give us what their recent surveys told them they should give us.

Or is it me who is just getting pickier and pickier? Why do I seem to be the only one who thought “The King’s Speech” was a pretty average film crowd pleaser?

Why didn’t I like Scream 4, when in fact it did exactly what the “tin” said?

Should I have got lost in the colours of “Rio”, forgetting about the fact that the story line was so damn predictable?

Why wasn’t I swept away by the quirkiness of “Rubber“?

Why was I so cold in front of that tragedy that was “Rabbit hole“?

Why couldn’t I just laugh watching “The Dilemma” while everybody else was in tears around me in the theatre?

Why couldn’t I just go with “The Adjustment Bureau“, instead of looking for all the plot holes?

Why wasn’t I enchanted by Submarine?

And why am I more terrorized than excited by the idea of the forthcoming Tintin movie by Spielberg (a director I love making a film about my ultimate childhood hero?) … Why am I so afraid I’ll be disappointed?

Am I growing old and just tired of movies or are there just fewer and fewer fresh good things our there?

The Adjustment Bureau – Review

The Adjustment Bureau (2011)

Directed by George Nolfi. Starring Matt DamonEmily BluntNatalie CarterJohn SlatteryTerence Stamp

Loosely adapted from a short story by Philip K Dick from 1954 (The adjustment team), the Adjustment Bureau tries to take the usual Dick’s elements about conspiracy and paranoia and mixes them up into what’s essentially a love story.

If you really wanted to take this film apart you’d probably have quite an easy time: of course, the original conceit is ludicrous, the plot holes are everywhere and when you stop and think about it for more than 5 minutes you might even be able to draw a line connecting all the dots much before the actual ending is revealed. But all that doesn’t take away from the fact that if you did manage to suspend your disbelief, you might actually enjoy the ride.

There are a few interesting ideas here and there: the argument about pre-destiny and free will, or the fact that happiness of spirit can make a fighting relax too much (successful politicians are people who are not very lucky in love and only a broken heart can give them the anger for a real political victory). None of them is highly original to be honest, or even dealt with in any depth, but it’s all added to the mix and it’s there for whoever care enough to pay attention to the details.

The film is more concerned with the actual romance between the two leads and they both play their parts in the best possible way. Matt Damon once again demonstrates his versatility (My God, how many films has he done recently!?!) and the chemistry with his co-star Emily Blunt is quite strong despite the absurdity of the plot itself (and that awkward first scene of them together in the bathroom, which is particularly contrived and seemed a bit out of place, compared to the rest of the film).

It’s interesting to notice that the film was meant to come out about 6 months ago but rumors of disappointing test screenings, re-shoots and some of the similarities people felt the film had with Inception, delayed the release of the film. In fact I believe it had 3 different release dates.

While it might not have the scope or ambition of Inception (it’s interesting that even the UK critic Mark Kermode calling it “Inception-Light”), at the same time the film is intriguing, entertaining and even romantic enough to sustain its length (mercifully only 106 minutes), though I must say there are as many plot holes as there are people working for the “adjustment bureau itself it seems… And moreover, I thought that the ending did come a bit too abruptly and felt rushed (I do wonder if that’s the one that was planned).

It is set in today’s world and yet it has a slightly retro feel, from the way it’s filmed to the way it’s paced and acted and even the way it looks (the way the “Adjustment Bureau People” are dressed, and even the lack of in-your-face-special-effects). It almost feels like one of those episodes of the Twilight Zone from the 60s. That feeling is then enhanced even more by the presence of people like John Slattery, that we are so used to see in Mad Man (that one too set in the 60s).

I saw this film about a week ago and I am already starting to forget it, so I suppose it’s not going to be one of those cult classic that will live forever, but while I was with it I had enough fun and I find it quite enjoyable.

6.5/10

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