Rear Window

Rear Window (1954) ⭐️⭐️⭐️⭐️⭐️

Director: Alfred Hitchcock. James StewartGrace KellyWendell Corey , Thelma Ritter, Raymond Burr, Judith Evelyn

When people talk about perfect films this is the one that comes to mind to me, over and over again. It’s not just my favourite Hitchcock film but actually it’s up there among my favourite films ever. Where to start? There are books and books written about this film and I feel a bit stupid just sitting down here, telling everyone how great this film is. Technically of course is pure perfection: from the way it’s filmed, to the spectacular set design, to the multi-layered soundtrack (and virtually no composed music, all incidental as if heard from across the courtyard, something very usual for the time!) and obviously the powerful editing which makes the most of the juxtaposition of Jimmy Stewart’s reactions and what he’s seeing.

This is the work of a true master completely at ease with his film-making tools, putting the audience in the shoes of our heroes, adding humour, tension, sexuality, mystery to the mix as if it was the most natural thing in the world.And it’s not just Alfred Hitchcock of course. His cast here is pure gold too!

Jimmy Stewart to start with, the so-called “everyday man”, who’s impossible not to like (I guess the equivalent today could be Tom Hanks). He’s stuck on a wheelchair and yet he manages to convey all sorts of emotions from curiosity to boredom, from frustration to obsession, from love to fear…

And don’t even get me started on the most beautiful woman ever to appear on a film. Grace Kelly is the epitome of the perfect woman as far as I’m concerned: classy, beautiful, clever, fearless. I just adore her.

Thelma Ritter who plays Stella, who brings so much humour and energy to such a tiny role and makes her character unforgettable.

I love everything about this Rear Window: it’s a intriguing mystery story and it’s an exciting thriller of course, but it’s also an astute portrait of relationships, all different types of them and all played out inside those little apartments across the courtyard. And last but not least, the script (apparently Hitchcock worked on it but never got credited): I love the way the dialogue plays over the visuals, but also how sometimes through the language of film-making and though James Stewart’s reactions we learn more about the characters’ inner thoughts than we would if there were pages and pages of dialogue (or worse, voice over!).

67 years later “Rear Window” is still just as impressive just as funny, just as smart, just as exciting, just a tense. A true masterpiece like few other films are, full stop.

Scared Stiff

Scared Stiff ⭐️⭐️

Director: George Marshall Cast: Dean MartinJerry LewisLizabeth Scott 

Don’t get those 2 stars mislead you: this is a bad film!It has possibly one of the most convoluted plot of any comedy I’ve seen. We were constantly confused about who was who and why they were doing whatever they were doing. Not that it matters a lot of course, the film is just an excuse for a few sketches more or less funny with Jerry Lewis and for Dean Martin to sing a few bland songs and kiss some random girls, one of whom he decides to marry within about 15 minutes after he first meets her. It’s all ludicrous of course and the film knows it (or at least I hope it does). At the time they were producing so many of these one after the other and I don’t think they cared too much about making a lot of sense. “Scared Stiff” clearly tries to evoke some those Abbot and Costello movies from the 40s and 50s which mixed comedy and horror. Needless to say, the comedy is hardly ever funny and the horror… well, it might have been scary in 1953 when this film was made, but it certainly pretty bland now. Jerry Lewis is pretty much on auto-pilot mode and very little of what he does is actually worth saving. Having said that I remember having fond memories of this from when I was really really young and my son seemed to have enjoyed it too (though I bet he was probably as lost as we all were about the plot). Certainly one to cross out from the Jerry Lewis list and hopefully never re-visit again. The only reason why it’s not getting the 1 star treatment is because I’m sure I’ve seen worst films and because I enjoyed seeing my son (who’s 8) having fun with it.

The X-Files (S1. Ep4) “Conduit”

The X-Files (Season 1 – Episode 4 ) “Conduit” ⭐️⭐️⭐️

Director: Daniel Sackheim Writers:  Chris CarterAlex GansaHoward Gordon Cast: David DuchovnyGillian AndersonCarrie Snodgress

The episode is the first piece of a puzzle of one of the most vital subplot of the entire series: what happened to Mulder’s younger sister, Samantha, her possible abduction by aliens hence what drove him to start chasing little green men (or “gray” as he’s quick to point out). It’s clearly draws from films like Poltergeist as one little boy seems to be getting information from “somewhere else” though his TV set. I guess at this stage in the game the X-Files was really trying to find its own voice ripping off from already established movies and stories. Little did we know that in a few years the series will become the benchmark any alien abduction, creepy stories and the perfectly leads fir any series. This one is a rather average episode with a couple of good ideas but essential information for the rest of the series. Also it has a great final line which is as classic as they get on the X-Files: “I want to believe” (which will also become the title of the second feature film from 2008).

The X-Files (S1.Ep3) – “Squeeze”

The X-Files – Series 1 – Episode 3 – “Squeeze” ⭐️⭐️⭐️⭐️

Director: Harry Longstreet Writers: Chris CarterGlen MorganJames Wong Cast: David DuchovnyGillian AndersonDoug Hutchison 

The idea of a killer who comes out from the sewers every 30 years clearly owes a lot to Stephen King’s “It”and it is the first “monster-of-the-week” episode of the series (and one of those most memorable). It was also one of the scariest thing on TV at the time and aside from some pretty dodgy slow-motion effect during one of the killings, it’s still quite effective today, mainly thanks for Doug Hutchison’s terrifying portrayal of Tooms. In fact this character became successful that they decided to bring him back for another stint towards the end of the first season in an episode aptly entitled “Tooms”.The final scene in which Tooms is in jail licking newspapers strips to make a nest our of them and looking at at a small opening for his way out, is one of the creepiest images from the season. This is definitely a strong episode, despite various problems they had during the filming, including the director being fired (Apparently the episodes was saved in the editing room). “Squeeze” was written by Glen Morgan and James Wong who later went on to write produce and direct the movie “Final Destination”.

It’s also the first episode where Scully first shows her loyalty for Mulder against FBI rivals, adding a tiny little brick to their relationship. And incidentally this is the episode where they took the footage of Mulder and Scully walking through a door holding 2 flashlights swhich was then used for the iconic title sequence.

The X-Files (S1.Ep2): “Deep Throat”

X-Files (Season 1 – Episode 2): “Deep Throat” ⭐️⭐️⭐️

Director: Daniel Sackheim. Writers: Chris CarterChris Carter. Cast: David DuchovnyGillian AndersonJerry Hardin, Seth Green.

This is the episode which really sets up the so-called “X-Files Mythology” about Aliens, alien technology and Government conspiracy. It’s also the one that introduced us to the Deep Throat character who will become an essential part of this first seasonIt’s an essential episode which sets in motion so many elements which will become classic X-Files tropes, but also in a typical X-Files fashion it will leave most of the questions unanswered, so much so that a voice over was required at the end to help the audience a little bit (and even that became a signature of the series).I have to be honest, maybe because I’ve seen all the other episodes after this and I am used to a lot more outrageous events, or maybe because it’s based to commonly known stories and legends about Area 51 or the Roswell UFO incident, on this repeated viewing, I found it slightly weaker than the pilot and more obvious episode, though it does have a great ending and one of the most intriguing final lines: “They’ve been here for a long time”. Classic!! Duchovny and Anderson once again show their comedic timing while arguing about how possible or impossible the existence of aliens is. This is something they’ll do over and over again and yet they will always keep it fresh and make it work seamlessly. It is always a pleasure to watch is Gillian Anderson’s bemused smile as she tries to argue her way though Mulder’s theories. This was clearly not something in the script and yet their performances added the extra level of chemistry between the two of them.Something I have just realised, the title sequence had not ben worked out properly yet and it’s actually different from what it’s going to look like. Also worth mentioning the stoner character played by Seth Green (before his role in Buffy or Austin Power), the first of the many recognisable actors who went on to do many other things after this.