The X-Files (S1.Ep3) – “Squeeze”

The X-Files – Series 1 – Episode 3 – “Squeeze” ⭐️⭐️⭐️⭐️

Director: Harry Longstreet Writers: Chris CarterGlen MorganJames Wong Cast: David DuchovnyGillian AndersonDoug Hutchison 

The idea of a killer who comes out from the sewers every 30 years clearly owes a lot to Stephen King’s “It”and it is the first “monster-of-the-week” episode of the series (and one of those most memorable). It was also one of the scariest thing on TV at the time and aside from some pretty dodgy slow-motion effect during one of the killings, it’s still quite effective today, mainly thanks for Doug Hutchison’s terrifying portrayal of Tooms. In fact this character became successful that they decided to bring him back for another stint towards the end of the first season in an episode aptly entitled “Tooms”.The final scene in which Tooms is in jail licking newspapers strips to make a nest our of them and looking at at a small opening for his way out, is one of the creepiest images from the season. This is definitely a strong episode, despite various problems they had during the filming, including the director being fired (Apparently the episodes was saved in the editing room). “Squeeze” was written by Glen Morgan and James Wong who later went on to write produce and direct the movie “Final Destination”.

It’s also the first episode where Scully first shows her loyalty for Mulder against FBI rivals, adding a tiny little brick to their relationship. And incidentally this is the episode where they took the footage of Mulder and Scully walking through a door holding 2 flashlights swhich was then used for the iconic title sequence.

The X-Files (S1.Ep2): “Deep Throat”

X-Files (Season 1 – Episode 2): “Deep Throat” ⭐️⭐️⭐️

Director: Daniel Sackheim. Writers: Chris CarterChris Carter. Cast: David DuchovnyGillian AndersonJerry Hardin, Seth Green.

This is the episode which really sets up the so-called “X-Files Mythology” about Aliens, alien technology and Government conspiracy. It’s also the one that introduced us to the Deep Throat character who will become an essential part of this first seasonIt’s an essential episode which sets in motion so many elements which will become classic X-Files tropes, but also in a typical X-Files fashion it will leave most of the questions unanswered, so much so that a voice over was required at the end to help the audience a little bit (and even that became a signature of the series).I have to be honest, maybe because I’ve seen all the other episodes after this and I am used to a lot more outrageous events, or maybe because it’s based to commonly known stories and legends about Area 51 or the Roswell UFO incident, on this repeated viewing, I found it slightly weaker than the pilot and more obvious episode, though it does have a great ending and one of the most intriguing final lines: “They’ve been here for a long time”. Classic!! Duchovny and Anderson once again show their comedic timing while arguing about how possible or impossible the existence of aliens is. This is something they’ll do over and over again and yet they will always keep it fresh and make it work seamlessly. It is always a pleasure to watch is Gillian Anderson’s bemused smile as she tries to argue her way though Mulder’s theories. This was clearly not something in the script and yet their performances added the extra level of chemistry between the two of them.Something I have just realised, the title sequence had not ben worked out properly yet and it’s actually different from what it’s going to look like. Also worth mentioning the stoner character played by Seth Green (before his role in Buffy or Austin Power), the first of the many recognisable actors who went on to do many other things after this.

The X-Files (S01.Ep01): “Pilot”

The X-FilesSeason 1 – Episode 1: “Pilot” ⭐️⭐️⭐️ 1/2

Director: Robert Mandel. Writer: Chris Carter. Stars:David DuchovnyGillian AndersonCharles Cioffi 

My new blu-ray full set of all the seasons of the X-Files has been sitting on the shelf for almost a couple years now, looking at me and asking “when are you going to watch me again?” I thought tonight was as good as night as it’ll ever be.

It’s easy today, 28 years later, to underestimate the impact this TV Show has had, not just on Sci-Fi but on television in general.The X-Files was ground-breaking for the time and I’m pleased to see how a lot of it still works today.. A lot of the ingredients that made the series so delicious are in this pilot episode (though the iconic title music isn’t there yet): the mysteries, the government conspiracies, the flashlight at night, the banter between the sceptic (Scully) and the believer, the smoking man in a corner or the room, the gross stuff, the UFO… This is brilliant stuff already from the outset: tight, smartly written, looking more like a movie than a tv show has hardly ever looked and sounded: yes, of course Twin Peaks had been released a couple of years before, but that was this is the show that really broke the rules of television, keeping people in the shadows, only lit by flashlight or letting the action develop in white shots, as opposed to the usual big close ups. Even the typed-up captions on the screen with location, date and time was fresh at the time.

Of course the X-Files will go on getting better an better and by season 3 and 4 it’ll get as good as TV can ever get with episodes as gripping as any movie out there, attempting things TV had never done before (including an episode with one continuous take). Before Binge-TV became a thing (possibly with “24”) The X-Files was there (including people talking and speculating on this “new thing” called the internet)

But the real secret behind this series can be seen already in this pilot: the amazing chemistry between the two leads, possibly unbeaten still today, as far as TV is concerned is palpable. From the moment the two meet to the first unexpected hug leading to years of speculations on whether the two of them will ever get together. David Duchovny gets a lot of slack for his deadpan deliveries, but his understated performance fits the character so well that it’s hard to see anyone else playing the part (truth is, when he left the show towards the later seasons, the X-Files wasn’t quite the same anymore). But beyond the flat tone of his deliveries you can see how much he’s enjoying himself being Fox Mulder. He has a couple of wonderful moments in this episode, smiling and cracking jokes, but also he somehow manages to make the story about the abduction by alien of his sister believable. And then of course, Gilliam Anderson’s Dana Scully who will become he heart and soul of the series and who still to this day can surprise us and win awards left and right. I loved her at the time and I still do today. Her intensity is so powerful that actually does the work for both of them. I loved watching this episode again tonight and aside from the terrible clothes and huge computer monitors which date it all back to the 90s, everything else is still spot on and it made me want to start watching is all again, especially because I know it’s going to get a lot more sophisticated both technically and in terms of content and stories (and yes, it’s going to lose the plot on the mythology a little bit, I know, but those who have seen it all, know that there are a lot of great episodes even in the later seasons).It’s one of the few shows that was able to bring together adventures, sci-fi, horror, police procedures, mysteries and comedy all in one.

Roll on the X-Files again: the truth is out there! (On DisneyPlus)

Next Episode

You Don’t Know Jack – Review

You Don’t Know Jack (2010) 

Director: Barry Levinson Writer: Adam Mazer Stars: Al Pacino, Brenda Vaccaro and John Goodman, Susan Sarandon

This wasn’t an easy watch, I have to tell you. More than once during the long 134 minutes (according to imdb, or 164 according to my SkyBox) I thought of stopping the recording and quitting the film before the end.

I was an absolute wreck throughout and I must have lost the count of the times my eyes were so watery that I couldn’t even see the screen anymore. But in the end the film is so skillfully done, beautifully acted, well paced and gripping that I couldn’t turn it off.

It is one of the most powerful film I’ve seen in the last few years, one that touches a subject that still divides the world: euthanasia.

I am extremely happy I saw it, but I don’ t know if I could do it again.

Oscar winner Director Barry Levinson has obviously got an agenda and the film is by no means impartial, and yet it never feels heavy-handed and in fact by the end, there’s still a lot of room for discussion.

The music, for example, is used sparingly and whenever is there, it doesn’t feel overdone.

The deaths of the people in the euthanasia scenes are quite detailed and intense to an almost unbearable level, especially at the beginning of the film: But once you get the idea of how the whole process works, after about 30 minutes or so, the “assisted suicides” become less graphic and they begin to happen more and more off-camera, though respectfully they’re always signaled by  a caption with the full name of the person who’s just died.

That makes you always very aware you’re watching something real, something that has actually happened. Consequently it makes it even harder to watch. However the film is never exploitive.

Of course, if you really wanted to pick it apart, then you would probably argue that there isn’t enough time given to the opposite side of argument. Only a few sound-bites are given to the protesters and the prosecutors are very sketchy characters,who are only seen arguing their cases during the court cases; however mercifully they are not caricatures and we never laugh at them (which would have been terribly manipulative).

There are some lighter moments here and there and I did find myself laughing at the dark and surreal humor, but, on the whole, given the subject itself, this is pretty serious stuff and there’s not a lot to laugh about.

On paper this could have become the cheesy, typical TV-movie-of-the-week: and yet “You don’t know Jack”  has that Quality (with a caption Q) we’ve all become to expect from a HBO production over the years: the direction, the photography, the editing, the script and of course the acting!!

First and foremost Al Pacino, who truly gives one of the best performance of his life  and within the first few minutes completely disappears inside the role of  Jack Kevorkian.

He shows us the best of him and the worst. He wants to help, he’s compassionate, he’s got principles and he has guts, but he’s also an arrogant, sometimes vicious and not necessarily a nice man. He’s also a reclusive man who hardly shares his feelings with anyone (hence the great title “you don’t know Jack”).

The supporting cast is great too, from the ever-wonderful John Goodman, to Susan Sarandon.

In the end whether you agree with Kevorkian’s practices or not, it is hard not to be compelled by this movie. Whether you react positively or negatively to it will probably be tainted with personal views about assisted suicide rather than the film’s actual merits. But since this is still an ongoing dilemma, it’s great to see a film exploring the issue so well. It’s interesting that they choose to do it as a TV movie as opposed to for the big screen: it makes you think whether America is actually ready for the debate… (and don’t tell me, the manipulative, “Million Dollar baby” did it before).

9/10

The Walking Dead (s01 e03)

The walking Dead – Episode 3  (7/10)

EPISODE 3 – Tell It to the Frogs

Director: Gwyneth Horder-Payton.  Writers: Frank Darabont, Charles H. Eglee, Jack LoGiudice

CAST: Andrew Lincoln, Jon Bernthal, Sarah Wayne Callies, Laurie Holden, Jeffrey DeMunn, Steven Yeun, Chandler Riggs, Norman Reedus, Michael Rooker, Juan Gabriel Pareja, Emma Bell, Andrew RothenbergMaddie Lomax

It’s interesting to see how different these last three episodes have all been.
The first one (arguably the best) has been setting up a perfect eerie and uneasy mood. It was truly scary despite the fact that it was marching through a very well-known territory (both the settings and the actually zombies themselves are nothing new and yet it was all terrifying).
The second episode went for the gore and it felt almost like a parody of the genre itself (by saying that I don’t mean to criticise it, however some of the “yuk factor” was so over the top that somehow it became less scary).
Now, having set up the main story and the characters, finally this third episode can afford slow things down a bit. Gone is the eerie atmosphere and the splatter  factor (a part from one scene, where a head gets chopped off). Gone are also the big action set pieces and they all seem to have given way for more character-building scenes.
The makers are obviously aware that this is a TV series after all, where from episode to episode we get to know more and more about each character and they have decided to exploit the format to their advantage by pushing all the right emotional buttons at their disposal.
Last week in my review I wrote that I was afraid the series might end up looking more like a soap opera, but I now happy to say that I was wrong.
What could have been really cheesy sequences about a family being re-united and about a wife betraying the memory of his dead husband by cheating with his ex best friend, in this third episodes exploded into some of the most emotional sequences in the whole series yet, mainly thanks to a particularly well handled direction and some excellent performances.
I must confess , when or main character, Rick Grimes, finally sees his wife and child again, I was almost brought to tears
One  also has to appreciate the boldness of the makers who mercifully went straight for the punch lines and the “big reveal” without over-stretching the storyline of the return of the thought-to-be-dead-husband into 3 or 4 episodes.
Let’s just see how will they now handle the “betrayal” stuff and let’s hope they’ll be able to keep the pace up.
On the downside, I still have some problems with predictably of some of the set ups; for example (SPOILER AHEAD) the fact that the guy on the roof would have use the saw to free himself from the handcuffs was basically telegraphed from last week.
However, for the time being,  I’m still hooked to this.
7/10