The Social Network – Review

The Social Nework (7.5/10)

Directed by David Fincher. With Jesse Eisenberg, Andrew Garfield, Justin Timberlake, Rooney Mara, Joseph Mazzello

I know, this film has now been out for weeks, but I’ve only just managed to catch it on the big screen and since I can tell this is one of those we are going to be talking about in the coming Awards season, I thought I should probably spend a couple of words discussing it.

Easily the starting point has got to be the script. Aaron Sorkin is the real star of the film. The fast, sharp and witty dialogue, the same we all fell in love with on the West Wing is Sorkin’s trade mark and it is apparent on pretty much every single line in “The Social Network”. At the end of the day it’s what really makes it work.

David Fincher’s direction this time seems invisible to the untrained eye, but obviously to be able to make a bunch of nerds sitting by a computer interesting and compelling, as this film is,  must have been not an easy task.

The entire cast is faultless, lead by Jesse Eisenberg who is absolutely perfect in his portrayal of Mark Zuckerberg. Even Justin Timberlake, however hateful and annoyingly disgusting he is in the movie,  is actually very good as Sean Parker, the inventor of napster, as we learn from his first scene in the film.

From the start the film  quite clearly does not want to take sides and decides to avoid lawsuites by drawing its dialogue from the various transcripts from the various procedural meetings with the various sides’ lawyers.

And if there is a problem with the film, this is maybe it: there’s a certain detachment throughout, from the way it’s filmed (Ficher’s direction is often quite cold and calculated), to the way it’s written (typical of Sorkin), and edited (the constant cutting backwards and forwards from the procedural meetings to the real story), basically from the way it’s conceived right from the start. All of which prevents you from having a real emotional attachment to any of the character on the screen.

You never really care about any of them in particular. Each of the actors does absolutely their best with what they are given, but clearly that’s not enough.

We almost want to feel bad for Andrew Garfield’s character (who plays Zuckeberg’s best friend Eduardo Saverin), but we are never given the chance to get too close to him, to fully care and really share his feeling of betrayal. In fact his character disappears half way through the film (he goes to New York) and when he comes back towards the end, are we supposed to reconnect straight away and feel for him? I don’t think so.

The film is so careful about not taking sides and sticking to the truth that it ends up being too clinical, cold and makes you feel really detached from it. I am sure that was probably the way all those people are in real life, but if you have to watch them for 2 hours you really need someone to care about.a

Towards the end (SPOILER ALERT… but not really…), we’re almost given a glimpse of a moment where we are meant to feel sorry for Mark Zuckerberg (a person so incapable to connect with real people, just as he was so good in making them connect with the internet), but it’s too little, too late. It’s really not enough and actually, that’s not how the film has been up until that point.

I really wanted to love this movie, I wanted it to become my favorite film of the year and instead, I just thought it was all right.. but not more than that. And I am almost angry with myself for saying that!

With all the will in the world, I don’t think I can give it more than 7.5/10. Still a very good film, but not the masterpiece I was hoping.

Black Swan – Review

BLACK SWAN  

USA 2010 . Directed by Darren Aronofsky. With Natalie Portman, Mila Kunis, Vincent Cassel, Winona Ryder

Black Swan is the 5th feature by director Darren Aronofsky. If you think that his previous works include movies like “Requiem for a dream“, you won’t be too much surprised when I tell you that this latest piece is a pretty strong draining experience. A dark, emotional, nightmarish roller-coaster of a movie, and a real exhausting experience. When I left the preview theatre where I watched this I felt I like I had lost a few kilos.

It is also the most accomplished film by Aronoksky. In a Q&A session after the film, the director revealed how he’d been wanting to make a film about ballet for a very long time, but found it quite hard to get it financed. Finally he managed to combine an old treatment he’d been working on for a long time about understudies and ballet dancer in what can only be defined as a psychological thriller.

It is filmed mostly in very tight handheld close-ups, with muted and colors and a general grainy style reminiscent of his previous film The Wrestler. It is quite unusual to be so close to a ballet dancer while she’s performing. We are so used to watch ballet dancers from an “audience prospective”, that is from enough distance where they all seem so light.and graceful. Their movements effortless. But only when you’re so close to them you can really see and feel their pain: the sound of the heavy breathing, the look of exhaustion on their faces. Aronofsky captures all that and more.

The film is certainly not for everybody’s taste: people may find it too strong or even too slow, but if you are a film lover, I am sure you’ll appreciate its technique.

The music also plays a huge part in the film. Once again the director teams up with Clint Mansel who so successfully had produced the hit soundtrack from requiem for a dream 10 years before. The score builds on Tchaikovsky’s Swan Lake and re-works into a film score, enhancing it, making it sound bigger or more haunting and slowing it down, according to what the mood of the film requires.

It is an amazing achievement, but the real star of the film is Natalie Portman, beautiful as ever,  who gives the best performance of her career so far (Yes, better than in Leon). She manages to capture both that grace and lightness of the white swan and the darker side of the sexy and devilish black counterpart.

The scene where she phones her mother to tell her that she’s got the part in the Swan Lake, all filmed in a tight close ups,  is probably the highlight of the film in terms of acting. You can see every single possible emotion passing though her face: happiness, exhaustion, pride, terror ! She really deserves an Oscar for her performance, though having said that, the film itself is a bit too weird for the Academy and its dark mood that might prevent any other Oscar recognition.

A lot of people have been praising this film calling it a masterpiece, I wouldn’t go that far. It is all fairly predictable if you really want to take it to pieces and, dare I say, slightly over the top with a few moments where it almost falls into a splatter horror without any real need. And of course at the end of the day, it’s all rather ludicrous! Yet it is still closer to “the wrestler” than “Requiem” at least in terms of real emotion and character development, as opposed to “style” over “substance”  (let’s face it, I did loved “requiem for a Dream“, and it was beautiful to watch but it did go on for a bit too long and over-stressed its point) and it did manage to create a palpable atmosphere like very few films have this year.

With this movie Aronofsky confirms himself as one of the most interesting, visionary director working in Hollywood today. I wish him good luck for the forthcoming awards Season (though I wouldn’t want to bet on him, as it’s clear that the King’s Speech and the Social Network will get everything else) and I am looking forward to see what he’ll do next with X-Men Origins: Wolverine 2

(note added after the Oscars 2011). Natalie Portman won the Oscar for her performance in this film, as I had predicted by the way…

OTHER RELATED REVIEWS:

The King Speech
The Social Network


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